恐惧角(1962)电影公司分析

Derya Çetin
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引用次数: 0

摘要

自20世纪70年代以来,类型的概念在电影研究中占有重要地位。类型电影是讲述相同故事和相似人物的商业故事片。电影中对属和类型的定义和争论往往集中在主流电影、商业电影和好莱坞电影上。本研究旨在对John Lee-汤普森1962年执导的电影《恐惧角》进行一般性评价。这部电影是用目的论样本法选择的,因为它抑制了一些主要流派和一些亚流派的特征,并使一些主要物种随着时间的推移而发生变化。这部电影具有心理惊悚、心理惊悚,黑色电影和新黑色电影的特点。这部电影的选择既体现了黑色电影这一主要类型的变化,也模糊了心理惊悚和心理惊悚这两个惊悚亚类型的界限。选取电影作为样本,按照一般批评方法进行分析。在这个方向上,《恐惧角》是从一个通用的角度进行评估的,标题是“主题、叙事结构、人物、图像学和摄影方向”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Cape Fear (1962) Filminin Türsel Açidan Değerlendirilmesi
The concept of genre has had a significant place in cinema studies since the 1970s. Genre films are commercial feature films telling identical stories with similar characters. Definition and debate of genus and genres in cinema has tended to focus on mainstream, commercial films in general and Hollywood films in particular. In this study, it is aimed to make a generic evaluation of the movie Cape Fear directed by John Lee Thompson in 1962. The movie was selected with a teleological sample method because it inhibits the characteristics of some main genres and some sub-genres and makes the changes of some main species visible over time. The movie has the characteristics of psychological-thriller, psycho-thriller, film noir and neo-noir. The film was chosen in terms of both showing the change in the main genre, film noir, and blurring the boundaries of psycho-thriller and psychological thriller, which are two sub-genres of thriller. Movie selected as a sample, analyzed according to the generic criticism method. In this direction Cape Fear is evaluated from a generic perspective under the headings of “subject, narrative structure, characters, iconography and direction of photography.”
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