塞尔维亚20世纪晚期的新先锋:弗拉基米尔Tošić和米罗斯拉夫Miša萨维维奇的极简主义音乐

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2021-11-02 DOI:10.1080/07494467.2021.2022892

M. Masnikosa

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引用次数: 1

摘要

本文考察了弗拉基米尔Tošić和米罗斯拉夫Miša萨维维奇的极简主义作品，他们是新先锋作曲家团体Opus 4的两位成员，他们的活动在塞尔维亚艺术音乐界创造了独特的艺术范式。虽然该团体的作品明显涉及美国的实验趋势(极简主义，激流主义，多媒体和观念艺术)，但它也保留了欧洲战后现代主义的重要“痕迹”，体现在该团体对组织音乐材料的连续模式的承诺中。因此，萨维维奇和Tošić的“整体极简主义”(在作品4的独特美学中)结合了欧洲和美国战后的新前卫概念。本研究将Tošić和萨维维奇的极简主义作品置于塞尔维亚20世纪后期的“新音乐”背景下，并致力于两位作曲家的新前卫极简主义作品。

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Serbian Late Twentieth-Century Neo-Avant-Garde: Minimalist Music by Vladimir Tošić and Miroslav Miša Savić

This article examines selected minimalist compositions by Vladimir Tošić and Miroslav Miša Savić, two members of the neo-avant-garde composers group, Opus 4, whose activities created a unique artistic paradigm on the Serbian art music scene. While the group's work clearly referred to experimental trends in the United States (minimalism, Fluxus, multimedia, and conceptual art), it also retained a significant ‘trace’ of European post-war modernism, embodied in the group's commitment to serialist modes of organising musical material. Thus, the ‘integral minimalism’ of Savić and Tošić (within the unique aesthetics of Opus 4) unites both European and American post-war neo-avant-garde concepts. This study situates Tošić's and Savić's minimalist works within the Serbian late twentieth-century ‘new music’ context and is dedicated to the neo-avant-garde minimalist oeuvres of the two composers.

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.