反思穆斯林叙事:刻板印象在最近的类型小说中得到强化或受到质疑?

IF 0.2 3区 文学 0 LITERATURE
C. Chambers, Sairish Hussain
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引用次数: 0

摘要

摘要本文讨论了英国穆斯林作家和出版商在一个世俗的文学市场和一个伊斯兰恐惧症社会中所面临的挑战。它探讨了这些作者的出版经验,分析了行业多样性倡议和对作者进行采访的例子。我们分析了Khurrum Rahman的惊悚片《东洪斯洛》(2017)和Kia Abdullah的惊悚片“夺回它”(2019)。这篇文章对穆斯林传统作家的出版策略提供了独特的见解,同时也展示了类型小说作为促进包容性叙事和挑战刻板印象的强大工具的潜力。它得出的结论是,类型小说的受欢迎程度和可访问性有助于将读者群扩大到文学圈之外,并为主流出版中可能闻所未闻的多样化故事提供更广泛的受众,从而随着时间的推移,为更具包容性的文学景观做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rethinking Muslim narratives: Stereotypes reinforced or contested in recent genre fiction?
ABSTRACT This article discusses the challenges British Muslim writers and publishers face in a largely secular literary marketplace and a society marked by Islamophobia. It explores these authors’ publication experiences, analysing examples from industry diversity initiatives and from conducting interviews with authors. Arguing that distorted representations strip Muslims of their complex humanity, while more nuanced portrayals can humanize them without resorting to stereotypes, we analyse the thrillers East of Hounslow (2017) by Khurrum Rahman and Take it Back (2019) by Kia Abdullah. The article provides unique insights into the publication tactics of Muslim-heritage writers while also demonstrating genre fiction’s potential as a powerful tool for promoting inclusive narratives and challenging stereotypes. It concludes that genre fiction’s popularity and accessibility can help expand readership beyond literary circles and provide a wider audience for diverse storytelling that might otherwise go unheard in mainstream publishing, thus contributing over time to a more inclusive literary landscape.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
73
期刊介绍: The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.
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