这个城市需要街头音乐:香港街头表演的实践、经验与意义

IF 1.3 3区 艺术学 0 MUSIC
Vicky Ho
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引用次数: 0

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This City Needs Street Music: Practices, Experiences and Meanings in the Busking Scene of Hong Kong
ABSTRACT Based on an ethnographic study of the Hong Kong busking scene, this article explores how buskers navigate and negotiate their practices and experiences in the scene. Within the contested socio-political and institutional context in Hong Kong, buskers’ collective efforts have brought the promise of street music to life by bringing people together and fostering a sense of belonging, connection, and solidarity with their music. The statement, “This city needs street music,” not only captures street musicians’ deep conviction in the significance of their practice, but also calls for a wider recognition of the value of street music.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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