{"title":"20世纪80年代末乌克兰艺术的不可逆趋势——2000年:当前的国家经验","authors":"Галина Скляренко","doi":"10.31500/2309-8813.16.2020.219986","DOIUrl":null,"url":null,"abstract":"The article analyzes the peculiarities of the interpretation of Baroque traditions in Ukrainian art of the late 1980-2000years. In the works of artists baroque emerged not only as one of the main traditions of Ukrainian art, but also a cross-cutting problem ofnational culture that needed discussion and analysis. Exploring in artistis way the contradictions of national experience, the new artistsdrew attention to issues of national history, contradictions of socio-political progress and cultural development of the country.","PeriodicalId":34369,"journal":{"name":"Suchasne mistetstvo","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Необарокові тенденції в українському мистецтві кінця 1980-х — 2000-х років: актуальність національного досвіду\",\"authors\":\"Галина Скляренко\",\"doi\":\"10.31500/2309-8813.16.2020.219986\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyzes the peculiarities of the interpretation of Baroque traditions in Ukrainian art of the late 1980-2000years. In the works of artists baroque emerged not only as one of the main traditions of Ukrainian art, but also a cross-cutting problem ofnational culture that needed discussion and analysis. Exploring in artistis way the contradictions of national experience, the new artistsdrew attention to issues of national history, contradictions of socio-political progress and cultural development of the country.\",\"PeriodicalId\":34369,\"journal\":{\"name\":\"Suchasne mistetstvo\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Suchasne mistetstvo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31500/2309-8813.16.2020.219986\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Suchasne mistetstvo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31500/2309-8813.16.2020.219986","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Необарокові тенденції в українському мистецтві кінця 1980-х — 2000-х років: актуальність національного досвіду
The article analyzes the peculiarities of the interpretation of Baroque traditions in Ukrainian art of the late 1980-2000years. In the works of artists baroque emerged not only as one of the main traditions of Ukrainian art, but also a cross-cutting problem ofnational culture that needed discussion and analysis. Exploring in artistis way the contradictions of national experience, the new artistsdrew attention to issues of national history, contradictions of socio-political progress and cultural development of the country.