激动人心的戏剧。皮帕·德尔博纳骑士在圣卡罗剧院

Q4 Arts and Humanities

Przestrzenie Teorii Pub Date : 2021-12-15 DOI:10.14746/pt.2021.36.9

K. Woźniak

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引用次数: 1

摘要

作者旨在将意大利导演皮波·德尔邦的戏剧作品概括为建立一个阿贡剧院。从研究现状出发，她分析了马斯卡涅的《乡村骑士》的舞台，并根据德塞尔托和西特科夫斯卡的论文以及安娜·克拉耶夫斯卡和达柳斯·科辛斯基的戏剧理论，提出了德尔波诺的戏剧理论。

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Ku teatrowi agonistycznemu. Pippa Delbona Waleczność rycerska w Teatrze San Carlo

The author aims to outline the dramatic work of the Italian director Pippo Delbon as establishing a theater of agon. From the state of research, she analyzes the staging of Pietro Mascagni’s Cavalleria rusticana and formulates the theory of Delbonos’s theater of agon based on M. de Certeau’s and W. Świątkowska’s papers and the theories of dramaturgy of Anna Krajewska and Dariusz Kosiński.

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来源期刊

Przestrzenie Teorii Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

16 weeks

期刊介绍： “Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.