不稳定的剧场：在亚历山大·泽尔丁的爱情中上演不稳定

IF 0.1 4区文学 0 LITERATURE

CONTEMPORARY LITERATURE Pub Date : 2021-07-29 DOI:10.3368/cl.61.3.335

Peter Simonsen, M. Aarhus

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引用次数: 0

摘要

无业游民占据了当代英国的舞台，在皇家宫廷剧院、国家剧院和皇家莎士比亚公司的天鹅剧院等著名剧院都有演出。许多新的和重要的英国戏剧作品都集中在舞台和辩论上，为这个新的社会群体、集体或正在形成的阶级提供身体、面孔、文字、声音和情感生活。他们参与想象这个异质实体的身份轮廓，并可能——作为政治戏剧——让更多的人看到那些被迫居住在不稳定的不安全状态中的人所经历的难以忍受的生活条件。在舞台上展示脆弱和不安全的身体和思想，通过让观众体验压力、焦虑、恐惧和愤怒，揭示了不稳定阶级成员的日常生活感受。本文结合Marissia Fragkou和Jen Harvie的作品，对这一新的趋势进行了探讨

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Theater of the Precariat: Staging Precarity in Alexander Zeldin's Love

he precariat populates the contemporary British stage, featured in prominent playhouses such as the Royal Court Theatre, the National Theatre, and the Royal Shakespeare Company’s Swan Theatre. Many new and significant works of British theater have focused on staging and debating, giving bodies, faces, words, voices, and emotional lives to this new social group, collective, or class-in-the-making. They have participated in imagining the contours of an identity for this heterogeneous entity and possibly―as political theater―opened more people’s eyes to the intolerable living conditions experienced by those forced to inhabit an insecure state of precarity. Showing vulnerable and insecure bodies and minds onstage reveals how everyday life may feel to specifically situated and embodied members of the precariat by exposing the audience to experiences drenched in stress, anxiety, fear, and anger. This essay joins work by Marissia Fragkou and Jen Harvie to offer a foray into this new tendency in

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来源期刊

CONTEMPORARY LITERATURE LITERATURE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Contemporary Literature publishes scholarly essays on contemporary writing in English, interviews with established and emerging authors, and reviews of recent critical books in the field. The journal welcomes articles on multiple genres, including poetry, the novel, drama, creative nonfiction, new media and digital literature, and graphic narrative. CL published the first articles on Thomas Pynchon and Susan Howe and the first interviews with Margaret Drabble and Don DeLillo; we also helped to introduce Kazuo Ishiguro, Eavan Boland, and J.M. Coetzee to American readers. As a forum for discussing issues animating the range of contemporary literary studies, CL features the full diversity of critical practices.