{"title":"在音乐会:表演音乐人物由菲利普·奥斯兰德。安娜堡:密歇根大学出版社,2021;Pp. x + 293, 22个插图。布90美元,纸39.95美元,电子书39.95美元。","authors":"Craig Jennex","doi":"10.1017/S0040557422000096","DOIUrl":null,"url":null,"abstract":"series is significant. This is a book of theatre historiography that examines some of the foundational concepts of musical theatre in the United States. It is worth noting, however, that this book’s subtitle also promises Rogers will analyze “the politics of bursting into song and dance.” The Song Is You is a historiographical text to be sure, but for Rogers the work of writing history is also the work of exploring how audiences identify with musical theatre performances and how musicals ask us to imitate, desire, and possess the bodies of others, especially those whose experiences we perceive as different from our own. These are political questions, and The Song Is You is a necessary and exciting exploration of these politics, filled with insights and provocations that promise to push the field in important new directions.","PeriodicalId":42777,"journal":{"name":"THEATRE SURVEY","volume":"63 1","pages":"235 - 237"},"PeriodicalIF":0.3000,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In Concert: Performing Musical Persona By Philip Auslander. Ann Arbor: University of Michigan Press, 2021; pp. x + 293, 22 illustrations. $90 cloth, $39.95 paper, $39.95 e-book.\",\"authors\":\"Craig Jennex\",\"doi\":\"10.1017/S0040557422000096\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"series is significant. This is a book of theatre historiography that examines some of the foundational concepts of musical theatre in the United States. It is worth noting, however, that this book’s subtitle also promises Rogers will analyze “the politics of bursting into song and dance.” The Song Is You is a historiographical text to be sure, but for Rogers the work of writing history is also the work of exploring how audiences identify with musical theatre performances and how musicals ask us to imitate, desire, and possess the bodies of others, especially those whose experiences we perceive as different from our own. These are political questions, and The Song Is You is a necessary and exciting exploration of these politics, filled with insights and provocations that promise to push the field in important new directions.\",\"PeriodicalId\":42777,\"journal\":{\"name\":\"THEATRE SURVEY\",\"volume\":\"63 1\",\"pages\":\"235 - 237\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"THEATRE SURVEY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0040557422000096\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"THEATRE SURVEY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0040557422000096","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
In Concert: Performing Musical Persona By Philip Auslander. Ann Arbor: University of Michigan Press, 2021; pp. x + 293, 22 illustrations. $90 cloth, $39.95 paper, $39.95 e-book.
series is significant. This is a book of theatre historiography that examines some of the foundational concepts of musical theatre in the United States. It is worth noting, however, that this book’s subtitle also promises Rogers will analyze “the politics of bursting into song and dance.” The Song Is You is a historiographical text to be sure, but for Rogers the work of writing history is also the work of exploring how audiences identify with musical theatre performances and how musicals ask us to imitate, desire, and possess the bodies of others, especially those whose experiences we perceive as different from our own. These are political questions, and The Song Is You is a necessary and exciting exploration of these politics, filled with insights and provocations that promise to push the field in important new directions.