旧唯物主义

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
David Aers, Sarah Beckwith, Johannes Wolf
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引用次数: 0

摘要

本文对十三世纪凯瑟琳派圣徒生活中的冲突作了新的探讨。在这些冲突中将圣徒和偶像视为对立的两极,它认为感知的范畴是一个关键的区别,它一直被用来诋毁偶像和偶像崇拜者。异教对手被系统地确定为非代理和物质;相比之下,圣徒们畅通无阻地传达神圣的真理,并抵制破坏他们高度整合的表演的企图。感觉的范畴在各方之间来回穿梭,因为不同的对手试图将圣人降低到一个对象的地位。虽然表面上取得了胜利,但圣徒们最终成为了圣徒传记二元逻辑的牺牲品:为了战胜审讯、折磨和死亡,圣徒最终牺牲了自己的感知能力。这一分析揭示了中世纪感知理论的投资,对整个圣徒传记和21世纪的材料转向都有影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Old Materialism
This article takes a new approach to the conflicts represented in the thirteenth- century saints’ lives of the Katherine Group. Identifying saints and idols as contrasting poles in these conflicts, it argues that the category of sentience is a key distinguisher that is consistently employed to denigrate idols and idolators. Pagan antagonists are systematically identified as nonagential and material; by contrast, the saints communicate divine truth unimpeded and resist attempts to disrupt their highly integrated performances. The category of sentience is shuttled to-and-fro between parties as various antagonists attempt to reduce the saint to the status of an object. While superficially victorious, the saints finally fall prey to the binary logic of hagiography: to triumph over interrogation, torture, and death, the saint ultimately sacrifices her own sentience. This analysis reveals the investments of a medieval theory of sentience with implications for both hagiography at large and the twenty-first-century material turn.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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