巴勒斯坦的着色：叙事电影中的旗帜装置与电影动机

IF 1.2 3区社会学 Q1 AREA STUDIES

Journal of Palestine Studies Pub Date : 2023-01-02 DOI:10.1080/0377919X.2023.2174039

Niall Ó Murchú

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引用次数: 0

摘要

摘要:本文比较了三部电影《当我看见你》、《当我看见你》和《3000夜》中国旗色彩的运用。核心问题是哈尼·阿萨德、安妮玛丽·贾希尔和迈·马斯里如何在他们的电影中嵌入红、绿、白、黑这些巴勒斯坦国旗的颜色。通过考察全球电影(戈达尔，Kieślowski和梅塔)和其他巴勒斯坦电影和绘画中的旗帜主题，比较了国旗装置的三个主要动机:象征修辞、艺术发挥和叙事构成。本文认为，阿布-阿萨德、贾希尔和马斯里使用国旗的颜色来构建他们的电影形式，并暗示他们的叙事。

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Coloring Palestine: The Flag Device and Cinematic Motivations in Narrative Movies

Abstract This article compares the flag colors device in three films: Paradise Now, When I Saw You, and 3000 Nights. The central question is how Hany Abu-Assad, Annemarie Jacir, and Mai Masri embed the colors red, green, white, and black in their movies, the colors of the Palestinian flag. Three major motivations for the flag device are compared: symbolic rhetoric, artistic play, and narrative composition by examining flag motifs from global cinema (Godard, Kieślowski, and Mehta) and other Palestinian films and paintings. This article argues that Abu-Assad, Jacir, and Masri have used flag colors to structure their films’ form and to cue their narratives.

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来源期刊

Journal of Palestine Studies AREA STUDIES-

CiteScore

1.10

自引率

0.00%

发文量

期刊介绍： The Journal of Palestine Studies, the only North American journal devoted exclusively to Palestinian affairs and the Arab-Israeli conflict, brings you timely and comprehensive information on the region"s political, religious, and cultural concerns. Inside you"ll find: •Feature articles •Interviews •Book reviews •Quarterly updates on conflict and diplomacy •A settlement monitor •Detailed chronologies •Documents and source material •Bibliography of periodical literature