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引用次数: 0
摘要
在儿童文学的真实世界和虚构世界中,建筑似乎总是与意识形态联系在一起,即一个社会群体或整个社会所持有的信仰体系。这一点在涉及20世纪著名建筑的德国儿童文学中得到了体现,即勒·柯布西耶和Pierre Jeanneret在斯图加特的半独立式住宅,Clara Hohrath(1935[1931])在Hannelore erlebt die Großstadt(1935[1931])中描绘,Hermann Henselmann在柏林的Hochhaus an der Weberwiese,Annegret Hofmann和Helga Leue(1988)在《霍赫豪斯的弗拉申波斯特》(Die Flaschenpost im Hochhaus)中的形象,以及Ludwig Mies van der Rohe在《Alles Bauhaus?Ingolf Kern、Werner Möller和Kitty Kahane的《米娅与卢卡斯的幻想时代》(2019)。
Modern Architecture and Ideology in German Children’s Literature
Architecture, in the real world as well as in the fictional world of children’s literature, seems always to be connected with ideology, i.e. a system of beliefs held by a social group or society as a whole. This is shown with respect to German children’s literature dealing with famous buildings of the 20th century, namely the semi-detached house by Le Corbusier and Pierre Jeanneret in the Stuttgart Weißenhofsiedlung that is portrayed in Hannelore erlebt die Großstadt by Clara Hohrath (1935 [1931]), the Hochhaus an der Weberwiese by Hermann Henselmann in the Berlin Stalinallee, figuring in Die Flaschenpost im Hochhaus by Annegret Hofmann and Helga Leue (1988), and the 660–680 Lake Shore Drive Apartments by Ludwig Mies van der Rohe in Chicago, described in Alles Bauhaus? Eine fantastische Zeitreise mit Mia und Lucas by Ingolf Kern, Werner Möller and Kitty Kahane (2019).
期刊介绍:
Libri & Liberi publishes peer-reviewed academic papers on various topics in the field of children’s literature and young adult literature and on related topics, on their wider cultural contexts, and on their intercultural contacts in the fields of literature and the media. The journal particularly appreciates interdisciplinary approaches and intermediality.