我们墙内的“社会”:作为隐藏的社会物质纠缠的冲压砖

IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES
Márton Berki
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引用次数: 1

摘要

由于文化地理学及其他领域的唯物主义(再)转向,学术界已经考虑到了异常广泛的各种问题和事物。然而,尽管这项工作丰富且仍在迅速扩展,但几乎没有人关注我们最平凡、最日常的实物之一——砖块。因此,以匈牙利“冲压砖”为例,本文展示了“社会”的整个光谱如何以完全物质的形式在砖上表现出来——包括意识形态、政治、阶级关系、宗教和精神、自然文化,甚至性。与此相关,作为本文的主要理论贡献,我提出了两个论点。首先,我假设与大多数表示不同,冲压砖上的表示“通常”是隐藏的。其次,我还认为,尽管砖块既厚又坚固,但它们也可能是社会条件和关系变化的高度敏感的试金石。因此,基于本文的例子,冲压砖被呈现为隐藏的社会物质纠缠。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The ‘social’ within our walls: stamped bricks as hidden socio-material entanglements
As a result of the materialist (re-)turn in cultural geography and beyond, an exceptionally broad variety of matters and things has been taken into scholarly consideration. In spite of this rich and still rapidly expanding work, however, almost no attention has been paid to one of our most mundane, most everyday material objects – brick. Therefore, on the example of Hungarian ‘stamped bricks’, this paper shows how the whole spectrum of the ‘social’ might be represented in an utterly material form, on bricks – including ideology, politics, class relations, religion and spirituality, naturecultures, even sexuality. Connected to these, as the main theoretical contributions of the paper, I develop two arguments. First, I posit that in contrast to most representations, the ones on stamped bricks are ‘normally’ hidden. Second, I also argue that as thick and solid as bricks are, at the same time they may also be as highly sensitive litmus papers of changing societal conditions and relations. Hence, based on the examples of the paper, stamped bricks are presented as hidden socio-material entanglements.
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
46
期刊介绍: Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.
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