深度假噩梦,合成梦:对围绕深度假的反乌托邦和乌托邦话语的回顾,以及为什么现实的崩溃可能还没有迫在眉睫

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Anna Broinowski
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引用次数: 3

摘要

摘要:自2017年出现以来,公众对深度造假的反应主要是负面的。深度伪造技术作为一种欺骗性的视听设备,对民主和证据系统构成的危险已经进行了大量研究;以及人工智能的发展和控制它的立法机制。然而,深度伪造从业者、研究人员和消费者现在看待、构建和使用深度伪造技术的多样化和多样化的方式,以及它在商业、科学、教育和艺术方面的积极应用,值得更密切的关注。本文评估了围绕深度伪造的反乌托邦和乌托邦叙事的合理性,以提供对深度伪造技术作为一种新型合成媒体工具的更细致的理解:与任何基于屏幕的幻觉一样,深度伪造技术可以被用于恶意和善意的目的,其文化和政治权力——至少目前——不在于创造它的机器,而在于使用它的人类。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Deepfake Nightmares, Synthetic Dreams: A Review of Dystopian and Utopian Discourses Around Deepfakes, and Why the Collapse of Reality May Not Be Imminent—Yet
ABSTRACT:Since appearing in 2017, deepfakes have inspired a predominantly negative public response. Substantial research has been devoted to the danger that deepfake technology—as a deceptive audiovisual device—poses to democratic and evidentiary systems; and to the development of AI and legislative mechanisms to control it. However, the diverse and multiplying ways in which deepfake practitioners, researchers, and consumers are now viewing, framing, and using deepfake technology—and its positive applications in commerce, science, education, and the arts—deserve closer attention. This article assesses the plausibility of dystopian and utopian narratives around deepfakes to offer a more nuanced understanding of deepfake technology as a novel synthetic media tool: one which, like any screen-based illusion, can be harnessed for malign and benign purposes, and whose cultural and political power rests—for now at least—not with the machines that create it, but the human beings who use it.
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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