摘自《新忠告的花环

IF 0.1 0 LITERARY REVIEWS
K. Ngoy, T. Walker
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摘要

摘要:Anak Brah Bhiramy Bhasa U,出生于英国,俗称Krom Ngoy,是19世纪末20世纪初柬埔寨最具影响力的吟游诗人之一。作为人民的诗人,他去了柬埔寨乡村的一个又一个节日,一边唱着他的诗,一边弹着他的可折叠的单弦khsaediv作为伴奏。他的说教诗充满了幽默、机智和活泼,几代柬埔寨观众都对他产生了共鸣。这两段节选自Ngoy最著名的作品《新建议的花环》,提供了一种现代的方式,对几个世纪以来的传统说教诗,或cpap。开篇节选(第一至十节)介绍了殖民时代的暴力和不道德。第二段(第31至38节)也许是Ngoy所有诗歌中最著名的一段,它敦促柬埔寨人在法国统治下坚持高棉传统。1930年,在他生命即将结束的时候,由于苏珊娜·卡佩尔顿邀请他到佛学院,并请高棉学者抄写他的作品,他的作品被记录下来。他的作品继续影响着今天的柬埔寨诗人和chapei歌手。太瓦
本文章由计算机程序翻译,如有差异,请以英文原文为准。
From A Garland of New Advice
Abstract:Anak Brah Bhiramy Bhasa U, born Uk U and popularly known as Krom Ngoy, was one of Cambodia's most influential bards of the late nineteenth and early twentieth centuries. Celebrated as a poet of the people, he went from festival to festival in the Cambodian countryside, singing his poems while plucking his collapsible one-string khsae diev for accompaniment. His moralistic verse—full of humor, wit, and vivacity—has struck a chord with Cambodian audiences for generations. These two excerpts from Ngoy's best-known composition, A Garland of New Advice, offer a modern take on the centuries-old tradition of didactic verse, or cpap. The opening excerpt (stanzas 1 to 10) introduces the violence and immorality of the colonial era. The second (stanzas 31 to 38), perhaps the most famous passage in all of Ngoy's poems, urges Cambodians to uphold Khmer traditions in the face of French domination. Ngoy's compositions were recorded in 1930, near the end of his life, thanks to Suzanne Karpelès, who invited him to the Buddhist Institute and asked Khmer scholars to transcribe his compositions. His work continues to influence Cambodian poets and chapei singers today. tw
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