Mário Abel Bressan, Heloisa Juncklaus Preis Moraes
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引用次数: 1
摘要
本研究旨在透过电视观众所唤起的记忆，包括远情感记忆和视听消费的新形式，来揭示与电视建构的社会连结的重新建构。除此之外，它还分析了观看2017年在redde Globo de televis (TV Globo)和Canal Viva (Viva)播出的巴西节目Cassino do Chacrinha (Chacrinha’s Casino)的人们的评论，该节目是为了纪念阿贝拉多·巴博萨(Abelardo Barbosa)百年诞辰，他是一位非常重要的巴西电视主持人，在70年代到80年代之间表演。我们的方法遵循Laurence Bardin(2011)对2017年8月3日(在Viva播出)和2017年9月6日(在TV Globo播出)在Twitter上发布的包含Cassino do Chacrinha表达的文本进行的内容分析。我们想从一个电视档案开始讨论想象、记忆和社会纽带之间的关系，我们通过这些分析评论中出现的大量和共享的图像来呈现记忆的远程情感标记。
Televisual Archive: Imaginary, memory and re-visited social bond
This study aims to expose some thoughts about the reformulation of the social bond constituted with the television, through remembrances evoked among television viewers involving a teleaffective memory and new formats inside audiovisual consumption. In addition to this, it analyses the comments of people that watched a remake of the Brazilian program Cassino do Chacrinha (Chacrinha’s Casino), which aired in 2017 on Rede Globo de Televisão (TV Globo) and Canal Viva (Viva), commemorating the centenary of Abelardo Barbosa, a very important Brazilian TV host who acted between the ’70s and ’80s. Our methodology follows the content analysis mobilised by Laurence Bardin (2011) in relation to texts posted on Twitter containing the expression Cassino do Chacrinha in August 3, 2017 (aired on Viva) and September 6, 2017 (aired on TV Globo). We want to discuss the relationship between imaginary, memory, and social bond starting from a televisual archive, where we present tele-affective marks of memory through substantial and shared images that appear in these analysed comments.
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