鲍勃·米勒的借款,Hillbilly Music的首席活动词曲作者

IF 0.5 3区 艺术学 0 MUSIC
Joel Roberts
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引用次数: 0

摘要

鲍勃·米勒被认为是早期最多产的乡村歌曲作者之一,但不为人所知的是,他在20世纪20年代也是一位布鲁斯作曲家,他的歌曲是由那个年代早期的几位经典布鲁斯女歌手录制的——克拉拉·史密斯、维奥拉·麦考伊、莉齐·迈尔斯等人。他也被认为写过左派政治题材,但这些政治歌曲更多地表达了大萧条时期的共同情绪,而不是任何真正的政治立场。米勒创作生涯的多样化源于他的创作成果受到商业音乐方向的影响。他的第一首乡村歌曲“十一分棉花,四十分肉”成为大萧条时期的热门歌曲,由包括他自己在内的多位艺术家录制。虽然他并没有像他声称的那样写了七千多首歌,但他确实写了很多。他之所以有这么多的歌曲,部分原因是他擅长调整已有的歌曲,他的很多作品都是模仿其他歌曲创作的。本研究分析和讨论了商业影响下的他的职业发展方向,以及他可能被误判的政治倾向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Borrowings of Bob Miller, Hillbilly Music’s Premier Event Songwriter
Bob Miller is known as one of the most prolific early country songwriters, but it is not as widely known that he was a blues composer in the 1920s whose songs were recorded by several of the classic female blues singers from the early part of that decade—Clara Smith, Viola McCoy, Lizzie Miles, and others. He is also thought to have written leftist political material, but these political songs spoke more to common sentiments during the Great Depression than any true political position. Miller’s diverse songwriting career resulted from his creative output being influenced by the direction of commercial music. His first “hillbilly” song, “Eleven Cent Cotton, Forty Cent Meat,” became a Depression-era hit that was recorded by multiple artists, including himself. While he did not write more than seven thousand songs as he claimed, he did write a high number. Part of what contributed to his large catalog was that he was adept at tweaking preexisting songs, and much of his output was modeled after other songs. This study analyzes and discusses the commercially influenced direction of his career as well as his possibly misascribed political leanings.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: Journal of Popular Music Studies is a peer-reviewed journal dedicated to research on popular music throughout the world and approached from a variety of positions. Now published four times a year, each issue features essays and reviews, as well as roundtables and creative works inspired by popular music.
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