{"title":"巴塔哥尼亚叛乱中的无政府主义、和解与冲突(1974)","authors":"Maurício Knevitz, Alexandre Moroso Guilhão","doi":"10.26512/EMTEMPOS.V1I37.34232","DOIUrl":null,"url":null,"abstract":"This article proposes a debate about the film La Patagonia Rebelde (1974), directed by Hector Olivera and based in a book by Osvaldo Bayer. From a film history perspective, we conducted a film analysis to extract from our source questions about the historical period that the film portrays, such as the organization of Argentine workers through anarcho-syndicalism, and also about the period which the film itself was made, such as anti-imperalist themes and the contradictions and limitations of class conciliation.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Anarquismo, conciliação e conflito em La Patagonia Rebelde (1974)\",\"authors\":\"Maurício Knevitz, Alexandre Moroso Guilhão\",\"doi\":\"10.26512/EMTEMPOS.V1I37.34232\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes a debate about the film La Patagonia Rebelde (1974), directed by Hector Olivera and based in a book by Osvaldo Bayer. From a film history perspective, we conducted a film analysis to extract from our source questions about the historical period that the film portrays, such as the organization of Argentine workers through anarcho-syndicalism, and also about the period which the film itself was made, such as anti-imperalist themes and the contradictions and limitations of class conciliation.\",\"PeriodicalId\":30228,\"journal\":{\"name\":\"Em Tempo de Historias\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Em Tempo de Historias\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26512/EMTEMPOS.V1I37.34232\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Em Tempo de Historias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26512/EMTEMPOS.V1I37.34232","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Anarquismo, conciliação e conflito em La Patagonia Rebelde (1974)
This article proposes a debate about the film La Patagonia Rebelde (1974), directed by Hector Olivera and based in a book by Osvaldo Bayer. From a film history perspective, we conducted a film analysis to extract from our source questions about the historical period that the film portrays, such as the organization of Argentine workers through anarcho-syndicalism, and also about the period which the film itself was made, such as anti-imperalist themes and the contradictions and limitations of class conciliation.