合法外国人：今日西欧的塞尔维亚作曲家

IF 0.3 2区艺术学 0 MUSIC

Contemporary Music Review Pub Date : 2022-11-02 DOI:10.1080/07494467.2022.2152217

I. Medić

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引用次数: 2

摘要

这篇文章摘自我对自20世纪90年代初以来移民的塞尔维亚作曲家命运的持续调查，当时南斯拉夫社会主义联邦共和国解体，数十万专业人士离开该国，在世界各地定居。如此大规模的“人才外流”对整个前南斯拉夫地区的许多专业领域产生了毁灭性的影响。到目前为止，我已经找到了70多名目前在国外生活和工作的塞尔维亚作曲家，对于这样一个小国来说，这是一个相当大的数字。在这篇文章中，我关注的是几位在西欧国家成功建立职业生涯的作曲家的职业和个人轨迹。Elena Dubinets最近的一本专著《海外俄罗斯作曲家：他们是如何离开、留下、回来的》（Bloomington：印第安纳大学出版社，2021）是我的话语“对位”。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Legal Aliens: Serbian Composers in Western Europe Today

This article is an extract from my ongoing investigation of the destinies of Serbian composers who have emigrated since the early 1990s, a period that was marked by the dissolution of the Socialist Federal Republic of Yugoslavia and the ensuing wars when hundreds of thousands of professionals left the country and settled all over the world. Such a massive ‘brain drain’ has had a devastating impact on many professional realms in the entire former-Yugoslav region. Thus far, I have located more than seventy Serbian composers who currently live and work abroad, a significant number for such a small country. In this article, I focus on the professional and personal trajectories of several composers who have managed to establish successful careers in various Western European countries. A recent monograph by Elena Dubinets, Russian Composers Abroad: How They Left, Stayed, Returned (Bloomington: Indiana University Press, 2021), serves as my discoursive ‘counterpoint’.

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来源期刊

Contemporary Music Review MUSIC-

CiteScore

1.00

自引率

25.00%

发文量

期刊介绍： Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.