艺术感动心灵艺术米开朗基罗的摩西与艺术接受的“盖世塔”

Herbert Fitzek
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引用次数: 0

摘要

根据格式塔理论,艺术的影响并没有被充分描述为艺术家的信息传递到接受者的精神状态。事实上(和效果),艺术代表了植根于艺术创作的特定条件并进入艺术接受的具体效果的复杂意义场(形象)。从心理学的角度来看,艺术品不能被简化为静态物体,接受者也不能被视为风景的被动观众。审美体验是艺术材料及其接受的活动场。在我的贡献中,艺术中的主体和客体的关系是根据维克多·冯·魏茨泽克的感知和行动的格式塔来建模的。为此,我将提及艺术指导中最受欢迎的主题:罗马米开朗基罗的摩西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
Summary According to Gestalt theory the impact of arts is not adequately described as a transfer of an artist’s message into a recipient’s state of mind. As a matter of fact (and effect) art represents complex fields of meaning (figurations) rooting in the specific conditions of art creation and proceeding to the concrete effects of art reception. From a psychological point of view artefacts cannot be reduced to static objects, nor are the recipients to be seen as passive spectators of the scenery. Aesthetical experience is an action field from which the material of art and its reception emerge. In my contribution the relationship of subject and object in art is modelled in terms of Victor von Weizsäcker’s Gestaltkreis of perception and action. For this purpose, I will refer to the favourite subject of art coaching: the Moses of Michelangelo in Rome.
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