Ted van Lieshawe对童话插图和文本的大胆探索

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
V. Joosen
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引用次数: 1

摘要

荷兰作家兼插画家Ted van Lieway因其打破禁忌的儿童书籍而闻名,甚至臭名昭著。Van Lieway还为童话插图找到了一个独创的角度,他在2011年的短篇小说集《三方马》和2017年的《豌豆在我的床垫下》中都有特别的发展。在前者中,他用图像汇编的十四行诗(“beeldsonnetten”)来说明故事,在后者中,他使用打扮好的木制木偶来赋予文本新的意义。这些图像既有趣又平凡,既离奇又幽默,有各种各样的解读。此外,Van Lieshawe通过将童话置于更广阔的背景中来重新构建童话:《Driedelig paard》中的短篇小说探索了现实主义与幻想之间的紧张关系,而在《Onder mijn matras de erwt》中,Van Liehawe则用这些故事来探索离婚、孤独和死亡。所有这些努力加在一起,给格林的童话故事带来了新的意义和相关性,对当代的双重受众来说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ted van Lieshout’s Daring Approach to Fairytale Illustrations and Texts
The Dutch author and illustrator Ted van Lieshout is famous and perhaps even infamous for his taboo-breaking children’s books. Van Lieshout has also found an original angle for fairy-tale illustrations, which he develops in particular in his short-story collections Driedelig paard (Tripartite Horse) from 2011 and Onder mijn matras de erwt (Under my mattress the pea) from 2017. While in the former, he illustrates the stories with sonnets compiled of images (“beeldsonnetten”), in the latter he uses dressed up wooden puppets to give new meaning to the texts. Both intriguing and mundane, uncanny and humorous, these images lend themselves to various interpretations. Moreover, Van Lieshout re-frames the fairy tales by placing them in a broader context: the short stories in Driedelig paard explore the tension between realism and fantasy, while in Onder mijn matras de erwt, Van Lieshout uses the tales for an exploration of divorce, loneliness and death. All these efforts combined give Grimm’s fairy tales new meaning and relevance for a contemporary, double-addressed audience.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
29
审稿时长
24 weeks
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