浪漫主义时期

IF 0.4 2区艺术学 N/A MUSIC

Music Theory Online Pub Date : 2021-12-01 DOI:10.30535/mto.27.4.3

Diego Cubero

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引用次数: 0

摘要

本文考察了早期浪漫主义时期这一时期的变迁。在古典时期，前置乐句的结尾与后序乐句的开头在和声上是封闭的，而浪漫主义时期则经常将前置乐句的结尾与后序乐句的开头连在一起，形成一个不可分割的进段。语音引导分析说明了三种不同的连接先行词和结果词的方法:1)重叠两个短语，2)延长和解决先行词的结束属语，3)在一个属语上结束先行词。这三个过程都涉及到将分属语转化为进属语。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Romantic Periods

This article examines the transformation of the period in the early Romantic era. While in Classical periods the end of the antecedent phrase is harmonically closed off from the beginning of the consequent phrase, Romantic periods often join the end of the antecedent to the beginning of the consequent, creating an undivided progression. Voice-leading analyses illustrate three different means of joining the antecedent to the consequent: 1) by overlapping the two phrases, 2) by prolonging and resolving the antecedent’s closing dominant, and 3) by ending the antecedent on a predominant. All three procedures involve converting a dividing dominant into a progressive dominant.

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来源期刊

Music Theory Online MUSIC-

CiteScore

1.70

自引率

25.00%

发文量

审稿时长

42 weeks

期刊介绍： Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.