女权主义与意大利摄影:20世纪70年代以来新一代的传承笔记

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Cristina Casero, F. Muzzarelli
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引用次数: 0

摘要

摘要:本文遵循当前国际性别和女性主义研究提供的视角,旨在分析意大利摄影的历史,聚焦于20世纪70年代至今的时期,从不同的角度调查来源,并从新的问题出发,确定事件和作者对意大利女性主义摄影的贡献。这篇文章还旨在回应许多关于意大利摄影中女性可见空间的开放性问题。尤其是:新一代意大利女摄影师与意大利女权主义遗产有何关系?是否有可能在她们的作品中找到一种共同的诗学,使她们属于一个可以被定义为女权主义者的共同理论和实践维度?还是他们拒绝让他们感到疏离的文化标签和遗产?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminism and Italian Photography: Notes on the Inheritance of New Generations from the 1970s
abstract:Following the current perspectives offered by international gender and feminist studies, this article aims to analyze the history of Italian photography, focusing on the period from the 1970s up to today, investigating the sources from a different viewpoint, and starting from new questions which identify the contribution of events and authors to feminist photography in Italy. The article also aims to respond to the many still open questions regarding the space of visibility of women in Italian photography. And in particular: How does the new generation of Italian women photographers relate to the Italian feminist heritage? Is it possible to trace a shared poetics in their work that characterizes their belonging to a common theoretical and practical dimension that can be defined as feminist? Or do they reject cultural labels and heritages from which they feel alienated?
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来源期刊
Journal of Asia-Pacific Pop Culture
Journal of Asia-Pacific Pop Culture HUMANITIES, MULTIDISCIPLINARY-
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