托马斯·哈里斯(Thomas Harris)和汉尼拔(Hannibal)(2015)的《红龙》(1981)中的犯罪怪物比较

Fitria Zahrina Putri
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引用次数: 0

摘要

本研究旨在揭示红龙小说(1981年)中犯罪怪物的差异是如何被描绘的,该小说改编自他的电视连续剧《汉尼拔》(2013年)。所讨论的问题是作为汉尼拔犯罪怪物发展形式的模糊规范。所使用的理论是Alexa Wright(2013)提出的犯罪怪物。本研究采用分析描述性方法。对小说和电视连续剧中的数据进行描述和比较,以获得犯罪怪物的宏大概念。结果表明,《汉尼拔》中模糊的规范可以通过烹饪美学对食人行为的规范化、从联邦调查局到汉尼拔犯罪伙伴的威尔·格雷厄姆的角色,以及威尔和汉尼拔之间更亲密的关系来看出。这些模糊的规范创造了一种新的怪物叙事:一个看起来正常、能够在社会中正常运作的人背后有着可怕的犯罪性质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Perbandingan Monstrositas Kriminal dalam Red Dragon (1981) Karya Thomas Harris dan Hannibal (2015) Serial Televisi NBC
This study aims to reveal how differences in criminal monstrosity are portrayed in Red Dragon novel (1981), with the adaptation of his television series titled Hannibal (2013). The problem discussed is the blurred norms as the form of criminal monstrosity development in Hannibal. The theory used is the criminal monstrosity developed by Alexa Wright (2013). This research uses analytical descriptive method. Data from novels and television series are described and compared to get the grand concept of criminal monstrosity. The results showed that the blurred norms in Hannibal can be seen through normalization of cannibalism by using culinary aesthetic,  the role of Will Graham from FBI to Hannibal’s crime partner, and  a more intimate relationship between Will and Hannibal. These blurred norms created a new monstrosity narrative: a monstrous criminal nature behind a person who looks normal and able to function properly in society.
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