Sopranotronics 101。基于剧目建议的分析方法

IF 0.1 0 MUSIC
Mihaela Buhaiciuc
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引用次数: 0

摘要

“目前的作品旨在通过表演者的视角,对过去70年的黑道电子学曲目进行调查。在过去的几十年里,黑道学院和电子环境融合成了一个新的跨学科表演领域,这个领域既有艺术性,也有科学性。黑道电子学现在提供了一个具有挑战性的全新声乐曲目戏剧故事和发人深省的艺术。无论是在室内作品中表达政治分歧(诺诺的《发光的寓言》)还是描述神话故事(巴比特的《菲洛梅尔》);在没有戏剧性动作和故事情节的情况下创作一部四小时的歌剧(格拉斯的《海滩上的爱因斯坦》),或者在歌剧中最人性化的角色因此而受苦的时候发明无实体的表演(马乔弗的《DATP》),或在电声咏叹调中为灵魂吟唱(Crețu的《I.X.@100》),并以达达主义的方式挑战任何音乐和声乐机构(Beldean的Tekmirio)提出了这项实验艺术中值得表演的人性成分。关键词:黑道电子学,Soprano Fach,电子音乐“
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sopranotronics 101. An Analytical Approach With Repertorial Proposal
"The current work aims to present an investigation of the past seventy years of Sopranotronics repertoire, approached through the eye of the performer. The Soprano Fach and the electronic environment merged in the last decades into a new interdisciplinary performance field, which is both artistic and scientific in its making. The Sopranotronics now offers a fresh vocal repertoire with challenging drama stories and thought-provoking art. Whether expressing a political disagreement (Nono’s La Fabbrica Illuminata) or describing a mythical story (Babbitt’s Philomel) in chamber works; writing a four-hour opera without dramatic action and a storyline (Glass’s Einstein on the Beach) or inventing the disembodied performance while the most humane character of the opera suffers because of this (Machover’s DATP) or chanting for spirits in an electro - acoustic aria (Crețu’s I.X.@100) and challenging any musical and vocal establishment in a dadaistic formula (Beldean’s Tekmirio) brings forward the human component of this experimental art worth performing. Keywords: Sopranotronics, Soprano Fach, electronic music"
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