我们要去哪里？我们做了什么？

IF 0.5 4区艺术学 0 MUSIC

Tempo Pub Date : 2023-07-01 DOI:10.1017/S0040298223000050

A. Moorehouse

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引用次数: 1

摘要

摘要:本文讨论了对《我们要去哪里?》“我们做了什么?”这本书旨在探讨以英语为母语的作曲家如何选择他们的作曲实践所带来的影响。作曲家的反应主要集中在作曲的社会心理影响上，文章解开了这一焦点的一些含义。然后，文章详细介绍了调查评分对我自己作曲的影响，然后概述了记分行为的叙事方法的启示，以及它们对我们实践的影响的能力，无论是回顾还是考虑到未来的表演。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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WHERE ARE WE GOING? AND WHAT HAVE WE DONE?

Abstract This article discusses responses to the survey-score Where are we Going? and What have we Done?, which sets out to explore how Anglophone composers choose to ground the impacts of their compositional practice. The composers’ responses primarily centred around the psychosocial impacts of composition, and the article unpicks some of the implications of this focus. The article then details the effect the survey-score had on my own composing, before outlining the affordances of narrative approaches to the act of scoring, and their ability to shine a brighter light on the impacts of our practice, both retrospectively and also with regards to future performances.

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来源期刊

Tempo MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

19 weeks

期刊介绍： Tempo is the premier English-language journal devoted to twentieth-century and contemporary concert music. Literate and scholarly articles, often illustrated with music examples, explore many aspects of the work of composers throughout the world. Written in an accessible style, approaches range from the narrative to the strictly analytical. Tempo frequently ventures outside the acknowledged canon to reflect the diversity of the modern music scene. Issues feature interviews with leading composers, a tabulated news section, and lively and wide-ranging reviews of recent recordings, books and first performances around the world. Selected issues also contain specially-commissioned music supplements.