{"title":"龙骑士。国家电影的全球策略","authors":"Débora Madrid Brito","doi":"10.1080/13260219.2021.1947351","DOIUrl":null,"url":null,"abstract":"ABSTRACT El caballero del dragón is one of the most controversial films in Fernando Colomo’s filmography. This article examines the production of the movie in order to question, on the one hand, its industrial focus and, on the other hand, the attempt to link the film to the science-fiction genre. Thus, we will try to show the excessive focus the filmmaker placed on industrial issues, as well as pointing out the great attention the film pays to the Spanish social context. Both issues impeded the commercial success of the movie as an international production.","PeriodicalId":41881,"journal":{"name":"Journal of Iberian and Latin American Research","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El caballero del dragón. Estrategias globales para una película nacional\",\"authors\":\"Débora Madrid Brito\",\"doi\":\"10.1080/13260219.2021.1947351\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT El caballero del dragón is one of the most controversial films in Fernando Colomo’s filmography. This article examines the production of the movie in order to question, on the one hand, its industrial focus and, on the other hand, the attempt to link the film to the science-fiction genre. Thus, we will try to show the excessive focus the filmmaker placed on industrial issues, as well as pointing out the great attention the film pays to the Spanish social context. Both issues impeded the commercial success of the movie as an international production.\",\"PeriodicalId\":41881,\"journal\":{\"name\":\"Journal of Iberian and Latin American Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Iberian and Latin American Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13260219.2021.1947351\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Iberian and Latin American Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13260219.2021.1947351","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
El caballero del dragón. Estrategias globales para una película nacional
ABSTRACT El caballero del dragón is one of the most controversial films in Fernando Colomo’s filmography. This article examines the production of the movie in order to question, on the one hand, its industrial focus and, on the other hand, the attempt to link the film to the science-fiction genre. Thus, we will try to show the excessive focus the filmmaker placed on industrial issues, as well as pointing out the great attention the film pays to the Spanish social context. Both issues impeded the commercial success of the movie as an international production.