“你唯一的来源”:跨国文化流中的“外围”时尚编辑。圣彼得堡出版物Modnyi magazin(1862–1883)

IF 1.5 Q2 COMMUNICATION
M. Alesina
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引用次数: 0

摘要

本文讨论了文化“边缘”国家的时尚编辑如何作为当地的看门人参与全球文化流动。它将巴黎划分为大都市,将圣彼得堡划分为(半)外围,着眼于俄罗斯最早的时尚出版物之一,由索菲亚(Rekhnevskaia-)梅编辑的《Modnyi》杂志(1862-83)。这篇文章考察了梅的时尚社论,提到了最近对时尚新闻的见解。它特别关注当地和全球时尚相关话语之间的辩证法。在这方面,有人建议,瑞典社会人类学家乌尔夫·汉纳茨(Ulf Hannerz)对大都市与省之间的相互作用、媒体和地方文化行动者的反思,为识别周边时尚新闻的潜力和地方编辑在实现这些潜力方面的作用提供了一个富有洞察力的框架——无论是在今天还是在19世纪。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Your one and only source”: “peripheral” fashion editorship within the transnational cultural flow. St. Petersburg publication Modnyi magazin (1862–1883)
ABSTRACT This article discusses how a fashion editor in a culturally “peripheral” country engages with the global cultural flow as a local gate-keeper. Classifying Paris as a metropolis and St. Petersburg as (semi-)periphery, it looks at one of the earliest Russian fashion publications, Modnyi magazin (1862–83), edited by Sofia (Rekhnevskaia-)Mei. The article examines Mei’s fashion editorials referring to recent insights into fashion journalism. It particularly focuses on the dialectics between local and global fashion-related discourses within them. In this regard, it is suggested that reflections of the Swedish social anthropologist Ulf Hannerz on the metropolis-province interplay, media, and local cultural actors provide an insightful framework for identifying the potentialities of peripheral fashion journalism and the role of a local editor in realizing them – as much nowadays as in the nineteenth century.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
发文量
15
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