杜拉斯与贝克特的近距离邂逅

IF 0.3 4区 文学 0 LITERARY THEORY & CRITICISM
M. Engelberts
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引用次数: 0

摘要

玛格丽特·杜拉斯(Marguerite Duras)和塞缪尔·贝克特(Samuel Beckett。他们生活在同一个首都,在美学、戏剧、编辑和政治上都有共同的忠诚,在某些时候都对彼此的工作和生活感兴趣。两人都创作了各种各样的作品,包括小说、戏剧、电影剧本,都担任导演,经常与同一演员或剧团合作,他们经常被认为是文学和戏剧中相同审美倾向的例子。他们的写作 – 主题和样式 – 倾向于在几点上有重要的分歧,但贝克特对杜拉斯的第一部戏剧印象深刻,杜拉斯偶尔会与贝克特产生惊人的共鸣。尽管如此,作者之间几乎没有任何形式的接触或直接影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Duras and Beckett: Close Encounters at a Distance
Marguerite Duras and Samuel Beckett, both prominent writers internationally during the same period, and both living in Paris during most of their careers and rooted in French literature, appear to be a remarkable case of closely parallel writerly trajectories in conjunction with an apparent absence of exchange between them. Living in the same capital, they shared aesthetic, theatrical, editorial and political allegiances, and were both at some points intrigued by each other’s work and life. Both produced a medially diverse oeuvre including novels, theatre plays, screenplays, both worked as directors, rather often with the same actors or troupes, and they were regularly considered as examples of the same aesthetic tendencies in literature and the theatre. Their writing – themes and styles – tends to diverge importantly on several points, but Beckett was impressed by Duras' first theatre play, and Duras occasionally identified strikingly with Beckett. Nonetheless, hardly any form of contact or of direct influence between the authors is known.
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