Ayu Amartha Sabhagani, N. Malini, Made Detriasmita Saientisna
{"title":"反映性别差异的词汇限制语","authors":"Ayu Amartha Sabhagani, N. Malini, Made Detriasmita Saientisna","doi":"10.33603/rill.v5i1.5192","DOIUrl":null,"url":null,"abstract":"The study discusses lexical hedges in reflecting gender differences through the movie and analyzes the features of lexical hedges used in Sierra Burgess Is a Loser movie. The data were processed by categorizing the data into components of lexical hedges based on the framework of hedges proposed by Namasaraev (1997) and the sequential positions of lexical hedges proposed by Rosanti&Jaelani (2016). The use of nine types of lexical hedges conforming to its classification by the male and female characters showed a different number of results. As a result, female characters tend to more used lexical hedges rather than men characters. The female characters were mostly used lexical hedges as fillers yeah in their utterance to show their feelings, emotion, or opinion in the movie. The total data showed the number of female characters in using lexical hedges was 92 words sequentially from the most commonly used, i.e. fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, and noun. Meanwhile, male characters used 40 words of lexical hedges and fillers as the most commonly used hedges through the word; like. In this movie, there were two sequential positions of lexical hedges, namely; the initial and medial position. Besides that, the female characters had a wide range of types in uttering the words that contained lexical hedges, whereas the male characters were not too often in selecting the words of lexical hedges. Penelitian ini membahas mengenai penggambaran lexical hedges dalam perbedaan gender melalu isebuah film, serta untuk menganalisis fitur lexical hedges yang digunakan dalam film Sierra Burgess Is a Loser. Data sudah diproses dengan mengkategorikan data menjadi komponen lexical hedges berdasarkan kerangka hedges yang disusun oleh Namasaraev (1997) dan posisi sekuensial lexical hedges yang diusulkan oleh Rosanti & Jaelani (2016). Penggunaan dari sembilan tipe lexical hedges berdasarkan klasifikasi oleh karakter pria dan wanita menampilkan hasil yang berbeda. Hasilnya, karakter wanita cenderung menggunakan lexical hedges dibandingkan dengan karakter pria. Karakter wanita paling sering menggunakan fitur lexical hedges sebagai fillers yaitu; yeah dalam ucapan mereka untuk menunjukkan perasaan, emosi, dan opini di dalam film. Total data menunjukkan penggunaan lexical hedges oleh karakter wanita berjumlah 92 kata yang secara beruratan dari yang paling sering digunakan yakni fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, dan noun. Sedangkan, karakter pria menggunakan 40 kata lexical hedges dan fillers like sebagai fitur hedges yang paling sering digunakan. Di dalam film ini, terdapat dua posisi sekuensial dari lexical hedges yakni posisi awal dan posisi tengah. Disamping itu, karakter wanita memiliki jangkauan yang luas mengenai tipe-tipe dalam penyampaian kata yang mengandung fitur lexical hedges, sedangkan karakter pria tidak terlalu sering menggunakan kata lexical hedges didalam pemilihan kata","PeriodicalId":33592,"journal":{"name":"Research and Innovation in Language Learning","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lexical Hedges in Reflecting Gender Differences\",\"authors\":\"Ayu Amartha Sabhagani, N. 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The total data showed the number of female characters in using lexical hedges was 92 words sequentially from the most commonly used, i.e. fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, and noun. Meanwhile, male characters used 40 words of lexical hedges and fillers as the most commonly used hedges through the word; like. In this movie, there were two sequential positions of lexical hedges, namely; the initial and medial position. Besides that, the female characters had a wide range of types in uttering the words that contained lexical hedges, whereas the male characters were not too often in selecting the words of lexical hedges. Penelitian ini membahas mengenai penggambaran lexical hedges dalam perbedaan gender melalu isebuah film, serta untuk menganalisis fitur lexical hedges yang digunakan dalam film Sierra Burgess Is a Loser. Data sudah diproses dengan mengkategorikan data menjadi komponen lexical hedges berdasarkan kerangka hedges yang disusun oleh Namasaraev (1997) dan posisi sekuensial lexical hedges yang diusulkan oleh Rosanti & Jaelani (2016). Penggunaan dari sembilan tipe lexical hedges berdasarkan klasifikasi oleh karakter pria dan wanita menampilkan hasil yang berbeda. Hasilnya, karakter wanita cenderung menggunakan lexical hedges dibandingkan dengan karakter pria. Karakter wanita paling sering menggunakan fitur lexical hedges sebagai fillers yaitu; yeah dalam ucapan mereka untuk menunjukkan perasaan, emosi, dan opini di dalam film. Total data menunjukkan penggunaan lexical hedges oleh karakter wanita berjumlah 92 kata yang secara beruratan dari yang paling sering digunakan yakni fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, dan noun. Sedangkan, karakter pria menggunakan 40 kata lexical hedges dan fillers like sebagai fitur hedges yang paling sering digunakan. Di dalam film ini, terdapat dua posisi sekuensial dari lexical hedges yakni posisi awal dan posisi tengah. 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引用次数: 0
摘要
本研究探讨了词汇限制语在电影中对性别差异的反映,并分析了《塞拉·伯吉斯是个失败者》电影中词汇限制语的特点。根据Namasaraev(1997)提出的模糊限制语框架和Rosanti&Jaelani(2016)提出的词汇模糊限制语的顺序位置,将数据分类为词汇模糊限制语的组成部分。对符合男女字分类的九类模糊限制语的使用显示出不同数量的结果。因此,女性汉字比男性汉字更倾向于使用模糊限制语。在电影中,女性角色大多使用模糊的词汇作为填充物,在她们的话语中表达她们的感受、情感或观点。结果表明,女性词汇限制语的使用数量为92个,依次为最常用的填充词、词汇动词、情态助动词、频率副词、副词和名词。与此同时,男性角色使用40个词汇模糊限制语和填充语作为最常用的模糊限制语;喜欢的。在这部电影中,词汇模糊限制语有两个顺序的位置,即;初始位置和中间位置。此外,女性汉字对模糊限制词的选择类型较多,而男性汉字对模糊限制词的选择类型较少。Penelitian ini成员mengenai penggambaran词汇hedges dalam perbedaan和性别melalu isebuah电影,serta untuk menganalis fitur词汇hedges yang digunakan dalam电影Sierra Burgess Is a Loser。Data sudah diproses dengan mengkategorikan数据menjadi komponen词汇模糊限制、dasarkan kerangka模糊限制、yang disusun oleh Namasaraev(1997)和posisi sekuensial词汇模糊限制、yang diusulkan oleh Rosanti & Jaelani(2016)。彭古那达语sembilan类型词汇模糊限制词berdasarkan klasifikasi oleh karakter pria dan wanita menampilkan hasil yang berbeda。哈希尔尼亚,karakter wanita cenderung menggunakan词汇模糊限制词dibandingkan dengan karakter pria。卡拉卡特·万尼塔·佩林、蒙古纳坎语、语用模糊限制语、语用填充物;是的,dalam ucapan mereka untuk menunjukkan perasaan, emosi, Dan opini di dalam电影。总资料:menunjukkan penggunaan词汇限制语oleh karakter wanita berjumlah 92 kata yang secara beruratan dari yang paling sering digunakan yakni填充语,词汇动词,情态助动词,频率副词,副词,名词。40种类型的词汇限制语和填充语,如sebagai、fitur、hedges、yang paling、sering、digunakan。didalam film ini, terdapat dua posisi sekuensial dari词汇篱yakni posisi awal dan posisi tengah。Disamping itu, karakter wanita memoriliki jangkauan yang luas mengenai tipe-tipe dalam penyampaian kata yang mengandung fitur词性限制,sedangkan karakter pria tiak terlalu sering menggunakan kata词性限制didalam pemilihan kata
The study discusses lexical hedges in reflecting gender differences through the movie and analyzes the features of lexical hedges used in Sierra Burgess Is a Loser movie. The data were processed by categorizing the data into components of lexical hedges based on the framework of hedges proposed by Namasaraev (1997) and the sequential positions of lexical hedges proposed by Rosanti&Jaelani (2016). The use of nine types of lexical hedges conforming to its classification by the male and female characters showed a different number of results. As a result, female characters tend to more used lexical hedges rather than men characters. The female characters were mostly used lexical hedges as fillers yeah in their utterance to show their feelings, emotion, or opinion in the movie. The total data showed the number of female characters in using lexical hedges was 92 words sequentially from the most commonly used, i.e. fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, and noun. Meanwhile, male characters used 40 words of lexical hedges and fillers as the most commonly used hedges through the word; like. In this movie, there were two sequential positions of lexical hedges, namely; the initial and medial position. Besides that, the female characters had a wide range of types in uttering the words that contained lexical hedges, whereas the male characters were not too often in selecting the words of lexical hedges. Penelitian ini membahas mengenai penggambaran lexical hedges dalam perbedaan gender melalu isebuah film, serta untuk menganalisis fitur lexical hedges yang digunakan dalam film Sierra Burgess Is a Loser. Data sudah diproses dengan mengkategorikan data menjadi komponen lexical hedges berdasarkan kerangka hedges yang disusun oleh Namasaraev (1997) dan posisi sekuensial lexical hedges yang diusulkan oleh Rosanti & Jaelani (2016). Penggunaan dari sembilan tipe lexical hedges berdasarkan klasifikasi oleh karakter pria dan wanita menampilkan hasil yang berbeda. Hasilnya, karakter wanita cenderung menggunakan lexical hedges dibandingkan dengan karakter pria. Karakter wanita paling sering menggunakan fitur lexical hedges sebagai fillers yaitu; yeah dalam ucapan mereka untuk menunjukkan perasaan, emosi, dan opini di dalam film. Total data menunjukkan penggunaan lexical hedges oleh karakter wanita berjumlah 92 kata yang secara beruratan dari yang paling sering digunakan yakni fillers, lexical verbs, modal auxiliary verbs, adverb of frequency, adverb, dan noun. Sedangkan, karakter pria menggunakan 40 kata lexical hedges dan fillers like sebagai fitur hedges yang paling sering digunakan. Di dalam film ini, terdapat dua posisi sekuensial dari lexical hedges yakni posisi awal dan posisi tengah. Disamping itu, karakter wanita memiliki jangkauan yang luas mengenai tipe-tipe dalam penyampaian kata yang mengandung fitur lexical hedges, sedangkan karakter pria tidak terlalu sering menggunakan kata lexical hedges didalam pemilihan kata