国内外波兰嘻哈

IF 0.2 0 MUSIC
Kamila Rymajdo
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引用次数: 0

摘要

塔可·海明威(Taco Hemingway)是波兰最受欢迎的说唱歌手之一,成为首个在Spotify上播放量超过10亿次的波兰艺人。海明威经常被描述为波兰嘻哈界的新鲜声音,由于他在英国生活过的返乡移民身份,他也提供了新的视角。因此,本文将海明威的作品置于移民研究的背景下,特别是移民对原籍国的影响。通过海明威的音乐,本文考察了移民的各个阶段,从国外经历到回归和循环移民,同时也在社会汇款的背景下评价海明威的作品——回归移民对留居者的影响。它还认为海明威的作品代表了波兰移民“大叙事”的失败,以及回归移民在回归时可能感受到的不满,最终选择回到他们移民的国家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Polish Hip Hop at Home and Abroad
Taco Hemingway is one of Poland’s most popular rappers, becoming the first Polish artist to be streamed a billion times on Spotify. Often described as a fresh voice in the Polish hip hop scene, Hemingway also offers a new perspective due to his status as a return migrant, having lived in the United Kingdom. As such, this article positions Hemingway’s output in the context of migration studies and, specifically, the impact migration has on sending countries. Through Hemingway’s music, the article examines the various stages of migration, from experiences abroad to return and circular migration, while also appraising Hemingway’s work within the context of social remittances—the impact that return migrants have on stayers. It also posits that Hemingway’s oeuvre represents the failure of the “Grand Narrative” of Polish migration, as well as the dissatisfaction that return migrants can feel upon return, choosing ultimately to go back to the country to which they emigrated.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
期刊介绍: Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.
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