{"title":"国内外波兰嘻哈","authors":"Kamila Rymajdo","doi":"10.1558/jwpm.22212","DOIUrl":null,"url":null,"abstract":"Taco Hemingway is one of Poland’s most popular rappers, becoming the first Polish artist to be streamed a billion times on Spotify. Often described as a fresh voice in the Polish hip hop scene, Hemingway also offers a new perspective due to his status as a return migrant, having lived in the United Kingdom. As such, this article positions Hemingway’s output in the context of migration studies and, specifically, the impact migration has on sending countries. Through Hemingway’s music, the article examines the various stages of migration, from experiences abroad to return and circular migration, while also appraising Hemingway’s work within the context of social remittances—the impact that return migrants have on stayers. It also posits that Hemingway’s oeuvre represents the failure of the “Grand Narrative” of Polish migration, as well as the dissatisfaction that return migrants can feel upon return, choosing ultimately to go back to the country to which they emigrated.","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Polish Hip Hop at Home and Abroad\",\"authors\":\"Kamila Rymajdo\",\"doi\":\"10.1558/jwpm.22212\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taco Hemingway is one of Poland’s most popular rappers, becoming the first Polish artist to be streamed a billion times on Spotify. Often described as a fresh voice in the Polish hip hop scene, Hemingway also offers a new perspective due to his status as a return migrant, having lived in the United Kingdom. As such, this article positions Hemingway’s output in the context of migration studies and, specifically, the impact migration has on sending countries. Through Hemingway’s music, the article examines the various stages of migration, from experiences abroad to return and circular migration, while also appraising Hemingway’s work within the context of social remittances—the impact that return migrants have on stayers. It also posits that Hemingway’s oeuvre represents the failure of the “Grand Narrative” of Polish migration, as well as the dissatisfaction that return migrants can feel upon return, choosing ultimately to go back to the country to which they emigrated.\",\"PeriodicalId\":40750,\"journal\":{\"name\":\"Journal of World Popular Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of World Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jwpm.22212\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of World Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jwpm.22212","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Taco Hemingway is one of Poland’s most popular rappers, becoming the first Polish artist to be streamed a billion times on Spotify. Often described as a fresh voice in the Polish hip hop scene, Hemingway also offers a new perspective due to his status as a return migrant, having lived in the United Kingdom. As such, this article positions Hemingway’s output in the context of migration studies and, specifically, the impact migration has on sending countries. Through Hemingway’s music, the article examines the various stages of migration, from experiences abroad to return and circular migration, while also appraising Hemingway’s work within the context of social remittances—the impact that return migrants have on stayers. It also posits that Hemingway’s oeuvre represents the failure of the “Grand Narrative” of Polish migration, as well as the dissatisfaction that return migrants can feel upon return, choosing ultimately to go back to the country to which they emigrated.
期刊介绍:
Journal of World Popular Music is a peer-reviewed academic journal that publishes research and scholarship on recent issues and debates surrounding international popular musics, also known as World Music, Global Pop, World Beat or, more recently, World Music 2.0. The journal provides a forum to explore the manifestations and impacts of post-globalizing trends, processes, and dynamics surrounding these musics today. It adopts an open-minded perspective, including in its scope any local popularized musics of the world, commercially available music of non-Western origin, musics of ethnic minorities, and contemporary fusions or collaborations with local ‘traditional’ or ‘roots’ musics with Western pop and rock musics. Placing specific emphasis on contemporary, interdisciplinary, and international perspectives, the journal’s special features include empirical research and scholarship into the global creative and music industries, the participants of World Music, the musics themselves and their representations in all media forms today, among other relevant themes and issues; alongside explorations of recent ideas and perspectives from popular music, ethnomusicology, anthropology, musicology, communication, media and cultural studies, sociology, geography, art and museum studies, and other fields with a scholarly focus on World Music. The journal also features special, guest-edited issues that bring together contributions under a unifying theme or geographical area.