测试一种混合硬件量子多智能体系统架构，该架构利用量子速度优势进行交互式计算机音乐

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2020-04-13 DOI:10.1080/09298215.2020.1749672

Alexis Kirke

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引用次数: 3

摘要

本文介绍了MIq（Multi-Agent Interactive qgMuse），它建立在使用隐形传态的单Agent量子系统qgMuse的基础上。MIq是利用量子优势的实时交互式量子计算机音乐算法的首次尝试。以前在量子计算机上运行的交互式或实时量子音乐算法是经典计算算法的映射，没有获得量子优势。MIq提供了优于经典方法的二次加速。它是一种在5和14量子位量子硬件上实现的量子混合多代理系统架构。经典代理和量子代理通过经典/量子混合代理连接，该代理能够使用量子隐形传态进行通信。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Testing a hybrid hardware quantum multi-agent system architecture that utilizes the quantum speed advantage for interactive computer music

This paper introduces MIq (Multi-Agent Interactive qgMuse), which builds on the single agent quantum system qgMuse using teleportation. MIq is the first attempt at a real-time interactive quantum computer music algorithm that utilises the quantum advantage. Previous interactive or real-time quantum music algorithms running on quantum computers have been mappings of classical computing algorithms, with no quantum advantage obtained. MIq provides a quadratic speed-up over classical methods. It is a Quantum Hybrid Multi-agent System architecture implemented on 5 and 14 qubit quantum hardware. Classical agents and quantum agents connect via a classical/quantum hybrid agent that enables communication using quantum teleportation.

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来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.