过去的故事世界可能的自我和但丁神话的自传式重新表述在洛琳·尼德克的"交换机女孩"中

IF 0.3 2区 文学 0 LANGUAGE & LINGUISTICS
Maria-Angeles Martinez, Esther Sánchez-Pardo
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引用次数: 5

摘要

摘要本文着重探讨美国客观主义诗人Lorine Niedecker(1903-1970)的短篇小说《Switchboard Girl》对但丁神话的自传体重构。在故事世界可能自我的认知语言学范式中(Martínez,María-Ángeles.2014)。故事世界的可能自我和叙事沉浸现象。测试一个新的理论结构。叙述22(1)。110–131,马丁内斯,玛丽亚-安吉莱斯。2018。故事世界可能的自我。柏林和纽约:De Gruyter),该研究探讨了对过去丹特SPS的预测,这是个人与叙述者视角一致的关键,同时也是作者对20世纪50年代美国工人阶级女性现实的虚构表述的关键。本文还对丹特SPS的语言锚定进行了分析和讨论。研究结果突显了Niedecker对吸引读者分享一位患有严重视力残疾的聪明、农村中产阶级、成熟女性的个人地狱的担忧,她申请了一份卑微的总机接线员工作,但没有成功。该分析还促使对原始SPS类型进行修订,以包括可能由自传体叙事读者生成的作者SPS。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Past storyworld possible selves and the autobiographical reformulation of Dante’s myth in Lorine Niedecker’s “Switchboard Girl”
Abstract This essay focuses on the autobiographical reformulation of Dante’s myth in the short story “Switchboard Girl”, by the Objectivist American poet Lorine Niedecker (1903–1970). Within the cognitive linguistics paradigm of storyworld possible selves, or SPSs (Martínez, María-Ángeles. 2014. Storyworld possible selves and the phenomenon of narrative immersion. Testing a new theoretical construct. Narrative 22 (1). 110–131, Martínez, María-Ángeles. 2018. Storyworld possible selves. Berlin and New York: De Gruyter), the study explores the projection of a past Dantean SPS as key to individuals’ perspectival alignment with the narrator, and concomitantly, with the author’s fictionalized formulation of the realities of American working-class women in the 1950s. The linguistic anchoring of this Dantean SPS is also analysed and discussed. The results highlight Niedecker’s concern with drawing readers into sharing the personal hell of an intelligent, rural middle-class, mature woman with a serious visual disability, who is unsuccessfully applying for a menial job as a switchboard operator. The analysis also prompts a revision of the original SPS typology to include the author SPSs likely to be generated by readers of autobiographical narratives.
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来源期刊
CiteScore
0.90
自引率
10.00%
发文量
19
期刊介绍: The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.
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