记忆、舞蹈与档案:一场档案表演如何启发舞蹈电影《舞蹈必须停止吗?》

Sonia York-Pryce
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引用次数: 0

摘要

本文的目的是深入研究记忆和舞蹈,并展示档案如何为舞蹈的定义做出贡献。它提供了一个进入我舞蹈生涯记录的个人旅程,在那里,我通过一个60多岁的成熟舞者的视角重新审视和回顾过去。使用舞蹈电影的媒介,我的位置是观察者、舞者、回忆者和我档案的持有者。我用过去的痕迹和现在的痕迹进行了实验,以引入一个对话,讨论这项调查如何将衰老的身体作为档案馆。通过我的研究,我断言,作为一名舞者,我的档案保存在我的身体里。我用我的舞蹈史和我的记忆作为载体,从西方舞蹈的角度来解决衰老问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Memory, Dance and Archive: How an Archived Performance Inspired the Creation of the Dancefilm Does the Dancing Have to Stop?
The aim of this article is to delve into memory and dance, and to show how the archive can contribute to definitions of dance. It offers a personal journey into the records of my dance career, where I revisit and reclaim the past framed through the perspective of a mature dancer now aged in my sixties. Using the medium of dancefilm, my position is of observer, dancer, recaller, and bearer of my archive. I experiment with traces of the past, overlaid with the present, to introduce a dialogue about how this investigation can address the aging body as a site of archive. Through my research, I assert that as a dancer, my archive is housed within my body. I am using my dance history and my memories as the vehicle to address the issue of aging from a Western dance context.
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