{"title":"书评:Umberto Volpe(编辑),《精神病康复中的艺术疗法》","authors":"Cerrita Smith","doi":"10.1177/13594575221119134","DOIUrl":null,"url":null,"abstract":"Coombes E and Tsiris G (2020) Adapting to change, welcoming otherness. Approaches: An Interdisciplinary Journal of Music Therapy 12(2): 167–168. Crenshaw K (1989) Demarginalizing the intersection of race and sex: A black feminist critique of antidiscrimination doctrine, feminist theory and antiracist politics. University of Chicago Legal Forum 1989: 8. Fricker M (2007) Epistemic Injustice: Power and the Ethics of Knowing. Oxford: Oxford University Press. Gipson L, Williams B and Norris M (2020) Three black women’s reflections on COVID-19 and creative arts therapies. Voices: A World Forum for Music Therapy 20(2): 31153. Langford A, Rikallah M and Maddocks C (2020) BAMT diversity report. BAFM therapy. Available at: https://www.bamt.org/resources/ diversity-report Norris M (2020a) A call for radical imagining: exploring anti-blackness in the music therapy profession. Voices: A World Forum for Music Therapy 20(3): 3167. Norris M (2020b) Freedom dreams: what must die in music therapy to preserve human dignity? Voices: A World Forum for Music Therapy 20(3): 3172. Sajnani N, Marxen E and Zarate R (2017) Critical perspectives in the arts therapies: Response/ability across a continuum of practice. The Arts in Psychotherapy 54: 28–37. Silveira TM (2020) ‘But where are you really from?’ Approaching music therapy research and practice as an Australian of Indian Origin. Voices: A World Forum for Music Therapy 20(3): 8. Webb AA (2019) The Full Has Never Been Told: An Arts-based Narrative Inquiry into the Academic and Professional Experiences of Black People in American Music Therapy (Publication Number ProQuest Dissertations Publishing, 2019. 13862525.). Philadelphia, PA: Temple University. 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Fricker M (2007) Epistemic Injustice: Power and the Ethics of Knowing. Oxford: Oxford University Press. Gipson L, Williams B and Norris M (2020) Three black women’s reflections on COVID-19 and creative arts therapies. Voices: A World Forum for Music Therapy 20(2): 31153. Langford A, Rikallah M and Maddocks C (2020) BAMT diversity report. BAFM therapy. Available at: https://www.bamt.org/resources/ diversity-report Norris M (2020a) A call for radical imagining: exploring anti-blackness in the music therapy profession. Voices: A World Forum for Music Therapy 20(3): 3167. Norris M (2020b) Freedom dreams: what must die in music therapy to preserve human dignity? Voices: A World Forum for Music Therapy 20(3): 3172. Sajnani N, Marxen E and Zarate R (2017) Critical perspectives in the arts therapies: Response/ability across a continuum of practice. The Arts in Psychotherapy 54: 28–37. Silveira TM (2020) ‘But where are you really from?’ Approaching music therapy research and practice as an Australian of Indian Origin. Voices: A World Forum for Music Therapy 20(3): 8. Webb AA (2019) The Full Has Never Been Told: An Arts-based Narrative Inquiry into the Academic and Professional Experiences of Black People in American Music Therapy (Publication Number ProQuest Dissertations Publishing, 2019. 13862525.). Philadelphia, PA: Temple University. 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引用次数: 0
摘要
库姆斯E和齐里斯G(2020)适应变化,欢迎另类。《音乐治疗》杂志12(2):167-168。Crenshaw K(1989)种族与性别交叉点的去边缘化:黑人女性主义对反歧视主义、女性主义理论和反种族主义政治的批判。芝加哥大学法律论坛1989:8。(2007)认识的不公正:权力与认识的伦理。牛津:牛津大学出版社。吉普森L,威廉姆斯B和诺里斯M(2020)三个黑人女性对COVID-19和创造性艺术治疗的思考。世界音乐治疗论坛20(2):31153。Langford A, Rikallah M和Maddocks C (2020) BAMT多样性报告。BAFM疗法。Norris M (2020a)呼吁激进想象:探索音乐治疗行业的反黑人。世界音乐治疗论坛,20(3):3167。诺里斯M (2020b)自由梦想:在音乐治疗中,为了维护人类尊严,必须牺牲什么?世界音乐治疗论坛20(3):3172。Sajnani N, Marxen E和Zarate R(2017)艺术疗法的批判性视角:实践连续体的反应/能力。心理治疗的艺术54:28-37。席尔瓦TM(2020)“但你真正来自哪里?以一个印度裔澳大利亚人的身份来探讨音乐治疗的研究和实践。世界音乐治疗论坛,20(3):8。Webb AA(2019)《完整的从未被告知:美国音乐治疗中黑人学术和职业经历的艺术叙事探究》(出版号ProQuest dissertation Publishing, 2019)。13862525)。费城,宾夕法尼亚州:天普大学。网址:https://search.proquest.com/openview/d9732c46548bfac4be9a087d13f15b3e/1.pdf?pq-orig网站=gscholar&cbl=18750&diss=y]
Book Review: Umberto Volpe (ed.), Arts Therapies in Psychiatric Rehabilitation
Coombes E and Tsiris G (2020) Adapting to change, welcoming otherness. Approaches: An Interdisciplinary Journal of Music Therapy 12(2): 167–168. Crenshaw K (1989) Demarginalizing the intersection of race and sex: A black feminist critique of antidiscrimination doctrine, feminist theory and antiracist politics. University of Chicago Legal Forum 1989: 8. Fricker M (2007) Epistemic Injustice: Power and the Ethics of Knowing. Oxford: Oxford University Press. Gipson L, Williams B and Norris M (2020) Three black women’s reflections on COVID-19 and creative arts therapies. Voices: A World Forum for Music Therapy 20(2): 31153. Langford A, Rikallah M and Maddocks C (2020) BAMT diversity report. BAFM therapy. Available at: https://www.bamt.org/resources/ diversity-report Norris M (2020a) A call for radical imagining: exploring anti-blackness in the music therapy profession. Voices: A World Forum for Music Therapy 20(3): 3167. Norris M (2020b) Freedom dreams: what must die in music therapy to preserve human dignity? Voices: A World Forum for Music Therapy 20(3): 3172. Sajnani N, Marxen E and Zarate R (2017) Critical perspectives in the arts therapies: Response/ability across a continuum of practice. The Arts in Psychotherapy 54: 28–37. Silveira TM (2020) ‘But where are you really from?’ Approaching music therapy research and practice as an Australian of Indian Origin. Voices: A World Forum for Music Therapy 20(3): 8. Webb AA (2019) The Full Has Never Been Told: An Arts-based Narrative Inquiry into the Academic and Professional Experiences of Black People in American Music Therapy (Publication Number ProQuest Dissertations Publishing, 2019. 13862525.). Philadelphia, PA: Temple University. Available at: https://search.proquest.com/openview/d9732c46548bfac4be9a087d13f15b3e/1.pdf?pq-orig site=gscholar&cbl=18750&diss=y]