20世纪50年代波哥大的抽象艺术：评论家对艺术家和艺术家作为评论家的看法

IF 0.3 4区历史学 Q2 HISTORY

Historia Critica Pub Date : 2022-04-01 DOI:10.7440/histcrit84.2022.04

Ivonne Pini, María Clara Bernal

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引用次数: 0

摘要

目标/背景：20世纪50年代是讨论抽象作为一种视觉语言在哥伦比亚艺术中的相关性的关键十年。艺术家、评论家和公众在这方面的遭遇和分歧证明了更广泛的方面，例如寻找自己的语言、国家艺术国际化的必要性、通过艺术进行教育的重要性

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Arte abstracto en la década de 1950 en Bogotá: la mirada de los críticos a los artistas y los artistas como críticos

. Objective/Context: The 1950s was a critical decade regarding discussions about the relevance of abstraction as a visual language in the arts in Colombia. The encounters and disagreements in this regard between artists, critics, and the general public are a testimony of broader aspects, such as the search for a language of its own, the need to internationalize national art, the importance of educating about and through art

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来源期刊

Historia Critica Multiple-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

52 weeks

期刊介绍： Historia Crítica es la revista del Departamento de Historia de la Universidad de los Andes (Bogotá, Colombia). Cumple con sus lectores desde su creación en 1989. La revista Historia Crítica tiene como objetivo publicar artículos inéditos de autores nacionales y extranjeros, que presenten resultados de investigación histórica o balances historiográficos, así como reflexiones académicas relacionadas con los estudios históricos. La calidad de los artículos se asegura mediante un proceso de evaluación interno y externo, el cual es realizado por pares académicos nacionales e internacionales.