受保护的出版物:印刷音乐的帝国和萨克森特权,1550–1700

IF 0.2 1区 艺术学 0 MUSIC
S. Rose
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引用次数: 3

摘要

在1600年左右的几十年里,神圣罗马帝国皇帝和萨克森选帝侯为印刷音乐颁发了许多特权。这种特权赋予书商或作者在有限的时间内(通常为十年)出版特定作品的独家权利。这些特权威胁要没收任何未经授权的副本,并对任何被抓到印刷或出售这些副本的人处以罚款。本文首次对维也纳Österreichisches Staatsarchiv和德累斯顿Sächisches Hauptstaatsarchiv保存的记录音乐特权的档案材料进行了系统研究。它重建了获得特权的仪式程序,分析了作曲家如何证明他们申请特权的正当性,并询问特权是否能有效保护他们免受未经授权的版本的侵害。回顾以前对特权制度作为版权早期形式的解释,我认为特权增强了印刷音乐的商业和象征价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PROTECTED PUBLICATIONS: THE IMPERIAL AND SAXON PRIVILEGES FOR PRINTED MUSIC, 1550–1700
In the decades around 1600 many privileges for printed music were issued by the Holy Roman Emperor and the Elector of Saxony. Such privileges gave a bookseller or author an exclusive right to publish specified works for a limited period (usually ten years). The privileges threatened confiscation of any unauthorised copies, and fines for anyone caught printing or selling them. This article offers the first systematic study of archival material documenting the privileges for music, as preserved in the Österreichisches Staatsarchiv, Vienna, and the Sächsisches Hauptstaatsarchiv, Dresden. It reconstructs the ritualistic procedure for obtaining a privilege, analyses how composers justified their applications for privileges, and asks whether privileges gave effective protection against unauthorised editions. Revising previous interpretations of the privilege system as an early form of copyright, I instead argue that privileges enhanced the commercial and symbolic value of printed music.
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来源期刊
CiteScore
0.60
自引率
0.00%
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期刊介绍: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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