罗马角斗士刀:对象化、马斯科廷与古罗马体育的物质文化

IF 0.4 1区 艺术学 0 ART
Maggie L. Popkin
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引用次数: 0

摘要

罗马的袖口刀雕刻在角斗士的形式提供了重要的洞察他们所代表的运动员的模棱两可的地位,以及古代消费者与他们的关系。角斗士刀将男性角斗士物化,作为体现和应对罗马男性气概、性和奴役概念的关键场所。这些刀反映了罗马帝国角斗士作为一项运动的流行,但它们也将角斗士作为吉祥物商品化:无用的身体而不是自主的个体。角斗士刀表明,艺术史分析如何能够阐明体育商品作为制度化体育实践之外的日常权力机制的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Roman Gladiator Knives: Objectification, Mascotting, and the Material Culture of Sport in Ancient Rome
Abstract Roman pocketknives carved in the form of gladiators offer vital insight into the ambiguous status of the athletes they represent and how ancient consumers related to them. Gladiator knives objectified male gladiators as a key site for embodying and grappling with Roman conceptions of masculinity, sex, and enslavement. The knives reflect the popularity of gladiatorial combat as a sport in the Roman Empire, but they also commodified gladiators as mascots: utile bodies rather than autonomous individuals. Gladiator knives suggest how art historical analysis can illuminate the role of sports merchandise as an everyday mechanism of power outside institutionalized sporting practices.
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来源期刊
CiteScore
0.70
自引率
28.60%
发文量
42
期刊介绍: The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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