阅读胡里奥·萨雷斯的《黄雨》(1988年)作为“废墟剧院”

B. Greco
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引用次数: 0

摘要

本文从一个新的视角研究了利亚马萨雷斯的小说《阿马里拉之旅》(La lluvia amarilla, 1988),它将作品的场景确定为“废墟剧院”。这篇文章以对标题所暗示的色彩象征主义的反思开始,这在维拉斯的小说《奥德萨》(2018)中也可以看出,它似乎与之有一种对话关系。在必要地参考了Llamazares散文的抒情性之后,Ainielle景观被解释为“文学景观”,这个概念指的是通过主人公的感知意识对自然的主观体验。在文章的第二部分,通过墓地的隐喻和超自然的入侵,在一段文字中展示了Ainielle变成废墟的过程(也吞没了叙述者)。最后,它展示了Ainielle的现状,Ainielle是比利牛斯山脉的一个村庄,它已经成为一个“记忆之地”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
For a Reading of Julio Llamazares’ La lluvia amarilla (1988) as a “Theatre of Ruins”
The article studies Llamazares’ novel La lluvia amarilla (1988) from a new perspective, which identifies the scenario of the work as a ‘theatre of ruins’. The essay opens with a reflection on the chromatic symbolism already suggested by the title and discernible also in Vilas’ novel Ordesa (2018), with which it seems to have a dialogical relationship. After a necessary reference to the lyricism of Llamazares’ prose, the Ainielle landscape is interpreted as a ‘literary landscape’, a concept that refers to the subjective experience of nature through the protagonist perceptive consciousness. In the second part of the article, the metamorphosis of Ainielle into a place of ruins (which also engulfs the narrator) is demonstrated, in a passage that is accomplished through the cemetery metaphor and the supernatural incursion. Finally, it illustrates the current state of Ainielle, a village in the Pyrenees, which has become a ‘place of memory’.
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来源期刊
Rassegna Iberistica
Rassegna Iberistica Arts and Humanities-Literature and Literary Theory
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