超越化身的废墟:改变肯尼亚切兰加尼山的景观和生计

IF 0.6 0 ARCHAEOLOGY
Samuel Lunn-rockliffe
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引用次数: 2

摘要

肯尼亚西部的Embobut森林可以说是一片废墟。这些废墟是一系列有争议的生态辩论和政治决定的具体化,这些辩论和政治决策围绕着保护和社区土地权问题,导致了当地森格维尔和马拉克韦社区的暴力错位。首先,本文旨在通过对毁灭过程进行分析,将这些辩论置于背景中,以便对过去一个世纪的景观改造和人类生活的变化进行更细致的叙述。随后,我超越了毁灭的过程,转向了转型的概念,试图阐述Embobut如何没有成为一个被动废墟的静态世界,而是随着新的居住形式和新的生态关系的不断发展而不断变化,这是保护政策所没有设想的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond the Ruins of Embobut: Transforming Landscapes and Livelihoods in the Cherangani Hills, Kenya
The Embobut Forest, western Kenya, can be described as an entanglement of ruins. These ruins are the materialisation of a series of contested ecological debates and political decisions pivoting on the questions of conservation and community rights to land that have resulted in the violent dislocation of local Sengwer and Marakwet communities. In the first instance, this paper aims to contextualise these debates by offering an analytic focus on the process of ruination in order to offer a more nuanced narrative of landscape modification and changing human lives over the past century. Subsequently, I look beyond processes of ruination and towards notions of transformation, in an attempt expound how Embobut has not become a static world of passive ruins but rather is constantly changing as novel forms of dwelling and new ecological relationships continue to unfold in a manner not envisaged by conservation policy.
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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