{"title":"莎士比亚和十四行诗的形式","authors":"S. Wells","doi":"10.1177/01847678221121760","DOIUrl":null,"url":null,"abstract":"This essay considers some of the uses to which Shakespeare put the literary form of the sonnet along with its component parts – the iambic pentameter line, the quatrain, the sestet, and the rhyming couplet – both in his plays and in independent poems. It offers a fresh appraisal of the sonnets by Shakespeare published by Thomas Thorpe in 1609, with emphasis on those printed in the earlier part of the volume, often referred to as ‘the young man sonnets’. The article also discusses Richard Barnfield's homoerotic verse and position in relation to the sonnet tradition and to Shakespeare's place in it.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"109 1","pages":"32 - 43"},"PeriodicalIF":0.2000,"publicationDate":"2022-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shakespeare and sonnet form\",\"authors\":\"S. Wells\",\"doi\":\"10.1177/01847678221121760\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay considers some of the uses to which Shakespeare put the literary form of the sonnet along with its component parts – the iambic pentameter line, the quatrain, the sestet, and the rhyming couplet – both in his plays and in independent poems. It offers a fresh appraisal of the sonnets by Shakespeare published by Thomas Thorpe in 1609, with emphasis on those printed in the earlier part of the volume, often referred to as ‘the young man sonnets’. The article also discusses Richard Barnfield's homoerotic verse and position in relation to the sonnet tradition and to Shakespeare's place in it.\",\"PeriodicalId\":42648,\"journal\":{\"name\":\"CAHIERS ELISABETHAINS\",\"volume\":\"109 1\",\"pages\":\"32 - 43\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-10-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS ELISABETHAINS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/01847678221121760\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS ELISABETHAINS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01847678221121760","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
This essay considers some of the uses to which Shakespeare put the literary form of the sonnet along with its component parts – the iambic pentameter line, the quatrain, the sestet, and the rhyming couplet – both in his plays and in independent poems. It offers a fresh appraisal of the sonnets by Shakespeare published by Thomas Thorpe in 1609, with emphasis on those printed in the earlier part of the volume, often referred to as ‘the young man sonnets’. The article also discusses Richard Barnfield's homoerotic verse and position in relation to the sonnet tradition and to Shakespeare's place in it.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
