重新演绎女权主义:活动家回顾

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY

Journal of Curatorial Studies Pub Date : 2019-10-01 DOI:10.1386/jcs_00002_1

J. Davidson

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引用次数: 0

摘要

在回顾展览的背景下，女权主义的重新演绎意味着在重复的循环中进行表演性的“重做”，重新设想、重新创造和重塑历史上的歧视性缺失。在这篇文章中，我们将通过纪念Ana Mendieta艺术遗产的策展方法来探索重新演绎的激进主义。女权主义策略不同于传统职业回顾中使用的规范做法，比如门迭塔的丈夫卡尔·安德烈(Carl Andre)。在另一个重新演绎的例子中，2011年朱迪·芝加哥(Judy Chicago)的作品在《摆桌子》(Setting the Table)中的重新展示创造了同时展示玛格丽塔·卡布雷拉(Margarita Cabrera)与墨西哥艺术家合作的缝纫项目的机会。reaging开创了女性主义集体的过去和现在，建立了一个跨国活动的重复展览模式。

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Restaging Feminism: The Activist Retrospective

Abstract In the context of retrospective exhibitions, feminist restaging signifies a performative 'redoing' in a circuit of repetition that re-envisions, reinvents and remakes the discriminatory absences in history. In this article, the activism of restaging will be explored through the curatorial methods employed to memorialize Ana Mendieta's artistic legacy. Feminist strategies differ from the norms of canonical practices used in traditional career retrospectives, such as those for Mendieta's husband, Carl Andre. In another example of restaging, the 2011 re-presentation of Judy Chicago's works in Setting the Table created the opportunity to exhibit simultaneously Margarita Cabrera's sewing project in collaboration with Mexican artists. Restaging inaugurates the past and present of feminist collectivities, establishing a transnational activist model for repeat exhibitions.

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来源期刊

Journal of Curatorial Studies HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： The Journal of Curatorial Studies is an international, peer-reviewed publication that explores the cultural functioning of curating and its relation to exhibitions, institutions, audiences, aesthetics and display culture. The journal takes a wide perspective in the inquiry into what constitutes ''the curatorial''. Curating has evolved considerably from the connoisseurship model of arranging objects to now encompass performative, virtual and interventionist strategies. While curating as a spatialized discourse of art objects remains important, the expanded cultural practice of curating not only produces exhibitions for audiences to view, but also plays a catalytic role in redefining aesthetic experience, framing cultural conditions in institutions and communities, and inquiring into constructions of knowledge and ideology. As a critical and responsive forum for debate in the emerging field of curatorial studies, the journal will foster scholarship in the theory, practice and history of curating, as well as that of exhibitions and display culture in general. The journal supports in-depth investigations of contemporary and historical exhibitions, case studies of curators and their engagements, and analyses of the critical dynamics influencing the production of exhibitions in art and broader display culture. The Journal of Curatorial Studies invites contributions from scholars within curatorial studies, art history, museum studies, cultural studies, and other academic disciplines. The journal publishes both thematic and open issues, and features research articles, contemporary and historical case studies, interviews with curators, artists and theorists, and reviews of books, exhibitions and conferences.