{"title":"导言:选角要求/改变要求","authors":"Mariló Núñez, Jamie Robinson, Marlis Schweitzer, Yasmine Amirkhani, Liam Lockhart-Rush, Zoe Marin","doi":"10.3138/ctr.193.001","DOIUrl":null,"url":null,"abstract":"#1 Character Descriptions: We are committed to authentically casting equity-seeking characters, including BIPOC, 2SLGBTQ+, d/Deaf, and/or disabled characters. The character descriptions ... represent our understanding of each character’s identity. We ask that artists only submit for characters within their own lived experience. We welcome submissions for these roles from INSERT artists and artists from the wider INSERT diaspora who are comfortable playing INSERT. All of the characters (apart from INSERT and INSERT) are INSERT GENDERS in the INSERT COUNTRY.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Introduction: Casting Calls/Calls for Change\",\"authors\":\"Mariló Núñez, Jamie Robinson, Marlis Schweitzer, Yasmine Amirkhani, Liam Lockhart-Rush, Zoe Marin\",\"doi\":\"10.3138/ctr.193.001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"#1 Character Descriptions: We are committed to authentically casting equity-seeking characters, including BIPOC, 2SLGBTQ+, d/Deaf, and/or disabled characters. The character descriptions ... represent our understanding of each character’s identity. We ask that artists only submit for characters within their own lived experience. We welcome submissions for these roles from INSERT artists and artists from the wider INSERT diaspora who are comfortable playing INSERT. All of the characters (apart from INSERT and INSERT) are INSERT GENDERS in the INSERT COUNTRY.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.193.001\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.193.001","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"THEATER","Score":null,"Total":0}
#1 Character Descriptions: We are committed to authentically casting equity-seeking characters, including BIPOC, 2SLGBTQ+, d/Deaf, and/or disabled characters. The character descriptions ... represent our understanding of each character’s identity. We ask that artists only submit for characters within their own lived experience. We welcome submissions for these roles from INSERT artists and artists from the wider INSERT diaspora who are comfortable playing INSERT. All of the characters (apart from INSERT and INSERT) are INSERT GENDERS in the INSERT COUNTRY.
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