纸、玻璃、算法:提词器和屏幕的隐形

IF 0.4 4区 社会学 0 ART
Neta Alexander, Tali Keren
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引用次数: 0

摘要

提词器是1948年作为演艺圈的记忆辅助工具发明的,如今已成为现代政治中无处不在的技术。然而,媒体学者很少研究这种设备如何以隐藏的方式塑造我们对表演、新闻广播和政治修辞的理解。认识到这一缺陷,本文追溯了提词器从一个笨重的、人工操作的设备到一个旨在隐藏其自身存在的隐形屏幕系统的演变过程。提词器不仅塑造了语言的标准化,而且通过瓦解声音、触觉和光学,重构了电视景观。通过关注从艾森豪威尔总统到特朗普总统的提词器惨败和崩溃时刻,我们对失败和意外事件对视觉文化研究的重要性进行了更广泛的论证。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Paper, glass, algorithm: teleprompters and the invisibility of screens
The teleprompter, invented in 1948 as a memory aid for show business, has become a ubiquitous technology in modern politics. Yet, the hidden ways in which this device shapes our understanding of performance, newscasting, and political rhetoric are rarely studied by media scholars. Recognizing this lacuna, this article traces the evolution of the teleprompter from a cumbersome, human-operated device to an invisible system of screens designed to conceal its own existence. The teleprompter has not only shaped the standardization of speech, but also restructured the televised spectacle by collapsing the sonic, the tactile, and the optical. By focusing on teleprompter fiascos and moments of breakdown from President Eisenhower to President Trump, we make a broader argument regarding the importance of failure and the accidental to the study of visual culture.
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来源期刊
CiteScore
2.50
自引率
0.00%
发文量
0
期刊介绍: journal of visual culture is essential reading for academics, researchers and students engaged with the visual within the fields and disciplines of: · film, media and television studies · art, design, fashion and architecture history ·visual culture ·cultural studies and critical theory · gender studies and queer studies · ethnic studies and critical race studies·philosophy and aesthetics ·photography, new media and electronic imaging ·critical sociology ·history ·geography/urban studies ·comparative literature and romance languages ·the history and philosophy of science, technology and medicine
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