布鲁诺·舒尔茨和音乐。Exordium

Q4 Arts and Humanities

Przestrzenie Teorii Pub Date : 2020-12-15 DOI:10.14746/pt.2020.34.3

A. Skrzypczyk

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引用次数: 0

摘要

本文的目的是回答布鲁诺·舒尔茨的散文与声音艺术之间是否有任何联系，以及音乐是如何在他的散文中呈现的问题。这也是舒尔茨著作中对这一问题的首次认识，汇集了此前舒尔茨著作学者对这一主题的零碎意见。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Bruno Schulz i muzyka. Exordium

The aim of the article is to answer the question whether there are any connections between Bruno Schulz’s prose and the art of sounds, and how music is present in his prose. It is also the first recognition of this issue in his work, compiling the previous fragmentary opinions of scholars of Schulz’s work on this subject.

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来源期刊

Przestrzenie Teorii Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

16 weeks

期刊介绍： “Przestrzenie Teorii” is a theoretical and literary journal of scholarly criticism. The journal is peer-reviewed and reflects the research interests of authors from across a wide range of universities in Poland, as well as presents translations of texts of distinguished foreign theoreticians in literature. The journal undertakes to present key and essential problems in the contemporary criticism and theory of literature, and provides a platform for a transdisciplinary dialogue. The published texts, presented in diversified methodological approach, address both aesthetical and poetical problems in different areas of research, encompassing theatre and film, but also drama and art (in particular, visual and performative art forms). The journal is characterized by its interdiciplinary approach, participates in the present-day scholarly discourse in the philosophy of science and attempts to effect its policy of fostering the polyphonic form of literary studies in drama. “Przestrzenie Teorii” is published semi-annually.