{"title":"Court B.Cutting对《蓝色音符》和《蓝色音阶》的微观音调分析述评","authors":"Martin Pfleiderer","doi":"10.18061/EMR.V13I1-2.6595","DOIUrl":null,"url":null,"abstract":"This commentary relates to the target paper by Cutting on the microtonal analysis of pitches in the vocal lines of fifteen blues recordings. After relating Cutting's study to Jeff Todd Titon's Early Downhome Blues, some of its merits and shortcomings are discussed. Finally, it is suggested to surpass the study of an abstract blues scale with research on blues modes, including characteristic ornamentations such as glides as well as typically employed patterns that specify certain blues songs or song types.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2019-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Commentary on Microtonal Analysis of \\\"Blue Notes\\\" and the Blues Scale by Court B. Cutting\",\"authors\":\"Martin Pfleiderer\",\"doi\":\"10.18061/EMR.V13I1-2.6595\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This commentary relates to the target paper by Cutting on the microtonal analysis of pitches in the vocal lines of fifteen blues recordings. After relating Cutting's study to Jeff Todd Titon's Early Downhome Blues, some of its merits and shortcomings are discussed. Finally, it is suggested to surpass the study of an abstract blues scale with research on blues modes, including characteristic ornamentations such as glides as well as typically employed patterns that specify certain blues songs or song types.\",\"PeriodicalId\":44128,\"journal\":{\"name\":\"Empirical Musicology Review\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2019-01-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Empirical Musicology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/EMR.V13I1-2.6595\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/EMR.V13I1-2.6595","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Commentary on Microtonal Analysis of "Blue Notes" and the Blues Scale by Court B. Cutting
This commentary relates to the target paper by Cutting on the microtonal analysis of pitches in the vocal lines of fifteen blues recordings. After relating Cutting's study to Jeff Todd Titon's Early Downhome Blues, some of its merits and shortcomings are discussed. Finally, it is suggested to surpass the study of an abstract blues scale with research on blues modes, including characteristic ornamentations such as glides as well as typically employed patterns that specify certain blues songs or song types.