马塞尔·普鲁斯特如何改变你的生活——是好是坏

IF 0.2 0 LITERATURE, ROMANCE
R. Bloch, E. Spitz
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引用次数: 0

摘要

这篇文章围绕着普鲁斯特的小说在我作为一个中世纪主义者和一个完整的人的形成过程中所扮演的角色——无论是好是坏。在curé对谱系学和词源学的痴迷中,我在20世纪70年代认识到了一种深刻的中世纪心理结构,这种结构与Annales学派历史学家关于谱系和结构主义者关于支撑亲属关系的语言模式的同时代工作相吻合。这导致了一本书,词源学和系谱学:法国中世纪的文学人类学。但是,普鲁斯特情感轨道上的其他强烈菌株,注定要失败的爱,在时间和概念上与19世纪90年代宫廷爱情的表达相一致,并在沿着这些路线生活的生活中造成了可怕的后果。我的妻子Ellen Handler Spitz通过“Swann恋爱了吗?她利用部分对象的精神分析概念,展示了普鲁斯特对爱的概念是多么的有限。我们最后对普鲁斯特描述的“爱”的感觉表示由衷的钦佩,但对他对爱本身的框架持怀疑态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
How Marcel Proust Can Change Your Life—For Better or for Worse
This article turns around the role that Proust’s novel played—for better or worse—in my formation as a medievalist and as a full human being. In the curé’s obsession with genealogy and etymology, I recognized in the 1970s a deep medieval mental structure that coincided with contemporaneous work by historians of the Annales School on lineage and by structuralists on the linguistic patterns underpinning kinship. This led to a book, Etymologies and Genealogies: A Literary Anthropology of the French Middle Ages. But other strong strains of the Proustian sentimental orbit, doomed love, aligned chronologically and conceptually with the articulation in the 1890s of courtly love and made for dire consequences in a life lived along those lines. My wife, Ellen Handler Spitz, provides an emotionally corrective experience via the question, Was Swann in Love? Using the psychoanalytic concept of the partial object, she shows how limited Proust’s notion of love really is. We end on a note of wild admiration for Proust’s description of what it feels like to be in what he calls “love” but with a dose of skepticism with regard to his framing of the project of love itself.
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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