多个Brasilidades

IF 0.5 3区 艺术学 0 MUSIC
Jacob Wolbert
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引用次数: 0

摘要

本文探讨了巴西不同城市的三组音乐家的实践和策略,以了解音乐家和他们经营的市场如何共同构建当今的音乐事业。根据他们的音乐和地理历史,以及他们的职业目标,这些艺术家驾驭着一个国家音乐产业,这个产业对国家音乐、地区认同和流派混杂的表现感兴趣并给予奖励,通常是相互结合的。虽然这些市场压力偶尔会与艺术家的审美需求交叉,但本文关注的是这些中游音乐家的音乐中如何协商和反映这些压力。这篇文章围绕着音乐家之间的互动和一个被称为编辑版的竞标过程展开,特别关注由化妆品公司Natura管理的编辑版Natura Musical。在这种互动中,巴西性(或巴西性)被认为是一种多元的、市场驱动的概念,而不是一种严格的审美选择或声音特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Multiple Brasilidades
This article explores the practices and strategies of three groups of musicians, each in a different city in Brazil, in order to understand how musicians and the markets in which they operate co-construct present-day musical careers. Depending on their musical and geographic histories, as well as their career goals, these artists navigate a national music industry that takes interest in and rewards representations of national music, regional identity, and genre hybridity, often in combination with one another. While these market pressures occasionally intersect with the artists’ aesthetic demands, this article focuses on the way such pressures are negotiated and reflected in the music of these midstream musicians. The article centers on the interactions between musicians and a competitive bidding process known as an edital, with a particular focus on Natura Musical, the edital administered by the cosmetics company Natura. Within such interactions, Brazilian-ness (or brasilidade) is considered as a pluralistic, market-driven notion and less a strict aesthetic choice or sonic characteristic.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
37
期刊介绍: Journal of Popular Music Studies is a peer-reviewed journal dedicated to research on popular music throughout the world and approached from a variety of positions. Now published four times a year, each issue features essays and reviews, as well as roundtables and creative works inspired by popular music.
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