清初民初的鼓歌与北方“白话”

Q2 Arts and Humanities

CHINOPERL: Journal of Chinese Oral and Performing Literature Pub Date : 2020-07-01 DOI:10.1353/cop.2020.0002

Margaret B. Wan

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引用次数: 1

摘要

摘要:在中国，写作在很大程度上被视为一种文化或社会融合的力量。清朝时期的写作如何强化地域认同?本文探讨了地域白话在中国北方鼓乐中的运用:鼓乐如何使用或使用地域语言，以及地域语言在鼓乐中的使用如何与身份联系在一起。它简要地考虑了民谣中非标准正字法的使用如何与特定的书籍文化(手稿，木版或平版印刷)相关，通过遵循刘法官和石法官的故事，在19世纪和20世纪初制作的鼓谣中。总的来说，体裁在民谣的语言选择中起着关键作用。

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Drum Ballads and Northern “Vernacular” in the Qing and Early Republic

Abstract:Writing in general has largely been viewed as a force for cultural or social integration in China. How might writing in the Qing period reinforce regional identities? This article explores the use of regional vernacular in drum ballads (guci 鼓词) from North China: how ballads can or do use regional language, and how the use of regional language in the ballads ties to identity. It briefly considers how the use of nonstandard orthography in the ballads relates to specific book cultures (in manuscripts, woodblocks, or lithographs) by following the stories of Judge Liu and Judge Shi across drum ballads produced in the nineteenth and early twentieth centuries. Overall, genre plays a key role in the language choices in the ballads.

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来源期刊

CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.