jpeg: Thomas Ruff和数码摄影的恐怖

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Philosophy of Photography Pub Date : 2021-10-01 DOI:10.1386/pop_00049_1

I. Rothwell

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摘要

本文分析了托马斯·鲁夫（Thomas Ruff）的Jpegs系列照片（2004–07）中揭示的数字压缩的美学。这些图像表现出固定为大规模、高质量、有光泽的C型照片的数字图像分辨率标准差。关于Vilém Flusser关于摄影的文章，我认为Ruff的作品揭示了一种“数字摄影的恐怖”：一种自动表示系统，它颠倒了我们与摄影图像的关系。

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Jpegs: Thomas Ruff and the horror of digital photography

This article analyses the aesthetics of digital compression as revealed in Thomas Ruff’s Jpegs series of photographs (2004–07). These images exhibit a poor standard of digital picture resolution fixed as large-scale, high-quality, lustrous C-type photographic prints. With reference to Vilém Flusser’s writing on photography, I argue that Ruff’s work discloses a ‘horror of digital photography’: a system of automated representation, which inverts our relationship to the photographic image.

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Philosophy of Photography ART-

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