印度实验性电影节的兴起

Q1 Arts and Humanities
Gauri Nori
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引用次数: 0

摘要

摘要本文将通过追踪两个案例研究来研究印度出现的独立平台来放映激进和另类电影:由Shai Heredia策划的一年两次的电影节Experimenta和由Shaina Anand策划的新媒体部分。尽管Experimenta在很大程度上保持独立,依靠知名艺术家和文化组织的支持,但新媒体部分成功地确保了其在MAMI孟买电影节(MFF)节目中的地位。尽管他们的方法可能不同,但两位策展人都致力于在该国推广运动图像实验文化。本文通过第一手观察、采访和对电影节星历的仔细审查,旨在确定在国际电影节网络和国内更大的电影界建立这些另类电影节的策展实践和策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The rise of experimental film festivals in India
Abstract This article will examine the emergence of independent platforms to screen radical and alternative cinema in India by tracing two case-studies: Experimenta, a biannual festival curated by Shai Heredia, and The New Medium section curated by Shaina Anand. While Experimenta has remained largely independent, relying on the support of established artists and cultural organizations, The New Medium section has managed to secure its place within the programme of the MAMI Mumbai Film Festival (MFF). Although their approach may differ, both curators are committed to promoting a culture of moving image experimentation in the country. Drawing on first-hand observations, interviews and scrutinizing festival ephemera, this article aims to identify the curatorial practices and strategies that have established these alternative film festivals both within the international film festival network and the larger film community in the country.
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来源期刊
Studies in South Asian Film and Media
Studies in South Asian Film and Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
8
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